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Imagine walking up into a choir loft and sounding like these young ladies without rehearsal.
Gregorian melodies ‘stick’ in one’s memory in a way that’s both marvelous and surprising.
More is revealed each day.
The short answer is: the “Adalbert Propers” were never intended to be sung.
Today I must ask the infamous question… (ducks)
Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.
In the 1970s, some musicians felt that annihilating the Mass propers would lead to “freedom”—but the opposite was true.
I’d love to hear you sing this!
Including a splendid harmonization of “Holy God, We Praise Thy Name.”
Reflections on the communion chant for the Second Sunday after Epiphany
Consider the melody found in “Le Graduel Romain,” published in 1800—nine years before Napoleon Bonaparte kidnapped Pope Pius VII
The communion chant for the Second Sunday of Advent, together with the introit and offertory, invite us to reflect on the Holy City, Jerusalem.
A website exists to disseminate Fr. Samuel Weber’s sacred music resources
A new Adoremus article explores how best to overthrow the tyranny of “alius cantus congruus.”
This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.
