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This hymn has earned its place in the heart, and the setting in 3 voices is not to be missed.
Doesn’t it stand to reason that we should sing from this edition in the manner its creators intended?
Including three separate points on Dom Combe’s shameful and defamatory statement.
Dom Ermin Vitry, OSB, was in charge of building the pipe organ for the Cathedral of Saint Mary of the Immaculate Conception in Peoria, IL.
Msgr. Leo Manzetti foolishly wrote: “Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”
Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”
When the bell rang (signaling examination of conscience) all the seminarians would immediately drop their pencils, even if they were in the middle of writing a sentence.
Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!
Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.
Church musicians ought not proceed in a frenzied, panic-stricken manner.
You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”
“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar
The “Method of Gregorian Accompaniment” by Flor Peeters is excellent.
