 
   HILE STUDYING musicology in graduate school, I made a series of recordings for a choral methods class.  I was attempting to demonstrate—by means of choir recordings—that ladies with low voices and men with high voices mixed together create a beautiful “choral blend.”  I have always believed it’s a mistake to have all women in the alto section and all men in the tenor section.
HILE STUDYING musicology in graduate school, I made a series of recordings for a choral methods class.  I was attempting to demonstrate—by means of choir recordings—that ladies with low voices and men with high voices mixed together create a beautiful “choral blend.”  I have always believed it’s a mistake to have all women in the alto section and all men in the tenor section.
If you attempt this lovely “ALLELUIA” based on a score by Cristóbal de Morales (†1553), you might consider placing high-voiced males with low-voiced females together on the middle line:
* * PDF Download • Polyphonic Alleluia (Morales)

REHEARSAL FILES :
EQUAL VOICE : YouTube • Mp3 File
HIGHEST VOICE : YouTube • Mp3 File

