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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Music and Evangelization

Dr. Lucas Tappan · November 13, 2017

LMT FOCUS FEEL BLESSED to belong to the Archdiocese of Kansas City (KS) where our shepherd, Archbishop Joseph Naumann takes his role with joyful seriousness. Over the past few years evangelization has been at the forefront of his activities, working to to cultivate in the faithful a love for proclaiming the Good News to a world desperately in need of that News. I have personally benefited from a number of these initiatives, especially the work of the Apostles of the Interior Life, who provide untold hours of spiritual direction, and the Little Brothers and Sisters of the Lamb, who provide for the materially poor not only with food, but with a beauty (Beauty) more satisfying than any earthly fare. As a matter of fact, His Excellency has more than once made the point that Beauty is an essential starting point for evangelization.

Nevertheless, I feel that the faithful in general (clergy or lay) have yet to discovere the deep connection between the Church’s Sacred worship and beauty and Her mission to evangelize—they don’t understand that the Sacred Liturgy provides the fuel for the Church’s evanglization efforts through the “right and just” worship of God, while at the same time forming the evangelizers themselves into the men and women God has called them to be. Too often there is a false dichotomy between those drawn to Beauty and those drawn to the outward efforts of evangelization (in much the same way that a false dichotomy has always existed between the contemplative and actives apostolates), which is why I was so excited to read Leah Sedlacek’s September 17th article for the Adoremus Bulletin entitled FOCUS on Beauty: the Liturgical Heart of Missionary Zeal.

Sedlacek’s article follows the story of how FOCUS (Fellowship of Catholic University Students), arguably the largest and most effect group of Catholic missionaries on both secular and Catholic universities in the US today, has begun to bridge that gap through a renewed emphasis on beauty, especially within the Sacred Liturgy. FOCUS, with the help of Illuminare Publications and Adam Barlett, has been transitioning from a “singing at Mass” approach to a “singing THE Mass” approach to liturgical music and it is having a profound impact on the millennial students they work with (this doesn’t mean that they no longer use Praise and Worship, only that they don’t use it as a cheap substitute for what is authentic). The authoress, who heads FOCUS’s worship team, writes:

We continue to take steps to follow more closely the vision and principles proposed by the Church. And we hope to equip our missionaries and staff with a deep liturgical formation and with resources to help them encounter the beauty of Jesus Christ in the liturgy, who is the source of all our efforts to evangelize on college campuses and in parishes.

It is an incredibly refreshing and dare I say beautiful movement within the Church today, one that I feel could be of invaluable help to those places making the transition to a more authentic celebration of the Church’s sacred worship.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It is difficult to imagine a more unjust situation than abortion, and it is very difficult to speak of obsession in a matter such as this, where we are dealing with a fundamental imperative of every good conscience—the defense of the right to life of an innocent and defenseless human being.”

— Pope St. John Paul II

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