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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Music and Evangelization

Dr. Lucas Tappan · November 13, 2017

LMT FOCUS FEEL BLESSED to belong to the Archdiocese of Kansas City (KS) where our shepherd, Archbishop Joseph Naumann takes his role with joyful seriousness. Over the past few years evangelization has been at the forefront of his activities, working to to cultivate in the faithful a love for proclaiming the Good News to a world desperately in need of that News. I have personally benefited from a number of these initiatives, especially the work of the Apostles of the Interior Life, who provide untold hours of spiritual direction, and the Little Brothers and Sisters of the Lamb, who provide for the materially poor not only with food, but with a beauty (Beauty) more satisfying than any earthly fare. As a matter of fact, His Excellency has more than once made the point that Beauty is an essential starting point for evangelization.

Nevertheless, I feel that the faithful in general (clergy or lay) have yet to discovere the deep connection between the Church’s Sacred worship and beauty and Her mission to evangelize—they don’t understand that the Sacred Liturgy provides the fuel for the Church’s evanglization efforts through the “right and just” worship of God, while at the same time forming the evangelizers themselves into the men and women God has called them to be. Too often there is a false dichotomy between those drawn to Beauty and those drawn to the outward efforts of evangelization (in much the same way that a false dichotomy has always existed between the contemplative and actives apostolates), which is why I was so excited to read Leah Sedlacek’s September 17th article for the Adoremus Bulletin entitled FOCUS on Beauty: the Liturgical Heart of Missionary Zeal.

Sedlacek’s article follows the story of how FOCUS (Fellowship of Catholic University Students), arguably the largest and most effect group of Catholic missionaries on both secular and Catholic universities in the US today, has begun to bridge that gap through a renewed emphasis on beauty, especially within the Sacred Liturgy. FOCUS, with the help of Illuminare Publications and Adam Barlett, has been transitioning from a “singing at Mass” approach to a “singing THE Mass” approach to liturgical music and it is having a profound impact on the millennial students they work with (this doesn’t mean that they no longer use Praise and Worship, only that they don’t use it as a cheap substitute for what is authentic). The authoress, who heads FOCUS’s worship team, writes:

We continue to take steps to follow more closely the vision and principles proposed by the Church. And we hope to equip our missionaries and staff with a deep liturgical formation and with resources to help them encounter the beauty of Jesus Christ in the liturgy, who is the source of all our efforts to evangelize on college campuses and in parishes.

It is an incredibly refreshing and dare I say beautiful movement within the Church today, one that I feel could be of invaluable help to those places making the transition to a more authentic celebration of the Church’s sacred worship.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

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  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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