Views from the Choir Loft

Repertoire Page (Sacred Music Symposium 2025)

Preponderance A

Here’s the direct URL link.

79396 • SANCTUS Cappella Sistina MS 17 “Missa Mille Regretz” (Morales) • PDF Score (Singer)

EQUAL VOICES : YouTube • Mp3 Labeled
SOPRANO : YouTube • Mp3 Labeled
1st ALTO : YouTube • Mp3 Labeled
2nd ALTO : YouTube • Mp3 Labeled
1st TENOR : YouTube • Mp3 Labeled
2nd TENOR : YouTube • Mp3 Labeled
BASS : YouTube • Mp3 Labeled

79391 • PLENI SUNT Cappella Sistina MS 17 “Missa Mille Regretz” (Morales) • PDF Score (Singer) This will be sung by soloists.

EQUAL VOICES : YouTube • Mp3 Labeled
SOPRANO : YouTube • Mp3 Labeled
TENOR : YouTube • Mp3 Labeled
BASS : YouTube • Mp3 Labeled

79467 • HOSANNA Cappella Sistina MS 17 “Missa Mille Regretz” (Morales) • PDF Score (Singer)

EQUAL VOICES : YouTube • Mp3 Labeled
SOPRANO : YouTube • Mp3 Labeled
1st ALTO : YouTube • Mp3 Labeled
2nd ALTO : YouTube • Mp3 Labeled
1st TENOR : YouTube • Mp3 Labeled
2nd TENOR : YouTube • Mp3 Labeled
BASS : YouTube • Mp3 Labeled

Preponderance B

Lead, Kindly Light • Kevin Allen
M This score is under © copyright.
M Participants will be sent a copy via email.
M EQUAL VOICES : Mp3 Labeled
M SOPRANO 1 : Mp3 Labeled
M SOPRANO 2 : Mp3 Labeled
M ALTO 1 : Mp3 Labeled
M ALTO 2 : Mp3 Labeled
M TENOR 1 : Mp3 Labeled
M TENOR 2 : Mp3 Labeled
M BASS 1 : Mp3 Labeled
M BASS 2 : Mp3 Labeled
Men sing Verse 1; Ladies sing Verse 2; Tutti for Verse 3.

Preponderance C

Gloria iii (Editio Vaticana) — Musical Score • Rehearsal video

Preponderance D

26561 • Palestrina “Alleluia for SATB” • PDF Score (Singer)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Preponderance E

Quam Dilecta • Kevin Allen
This score is under © copyright.
Participants will be sent a copy via email.
SOPRANO • ALTO • BASS

Sung by a very small group of singers:

Sung by a large group of volunteer singers:

Forthcoming:

KYRIE: Morales / Josquin
GLORIA: ( Kevin Allen ) commissioned expansion
GRADUAL: “Uxor Tua” Plus all other Wedding Propers except Alleluia

Offertory: Palestrina 5-voice “AVE MARIA”

AGNUS: Starts with plainsong Agnus Dei, ends with Gombert Polyphony

Proprium Missæ for the Solemnity of Saints Peter and Paul (Mass during the Day) — 29 June 2025

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Entrance Chant” • 3rd Sunday of Easter

You can download the ENTRANCE ANTIPHON in English for the Third Sunday of Easter (4 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The authentic version—on the words ómnis térra—sounds exactly like the Hallelujah Chorus from Handel’s Messiah. However, it only sounds that way if you follow Dom Mocquereau’s rhythm, which adds syncopation (in spite of the fact that Mocquereau claimed to abhor syncopation). The Germans do not syncopate the rhythm. If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Reminder” — Month of April (2025)

On a daily basis, I speak to people who—though they’ve followed our blog for years—don’t realize we publish a free newsletter. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

“Music List” • Easter Sunday

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the Easter Sunday (20 April 2025). If such a thing interests you, feel free to download it as a PDF file. Several of the selections are quite beautiful.

—Jeff Ostrowski

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed