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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Repertoire Page (Sacred Music Symposium 2025)

Repertoire Page
Sacred Music Symposium 2025

The “Golden Repertoire Sheet” provides a
splendid overview of where each piece fits:

*  PDF Download • Golden Repertoire Sheet

Sanctus • “Missa Mille Regretz”
Father Cristóbal de Morales (d. 1553)
Listen to the 4-minute video to hear
this SANCTUS from beginning to end.

79396 • SANCTUS Cappella Sistina MS 17 “Missa Mille Regretz” (Morales)
PDF Score (Singer)
EQUAL VOICES : YouTube   •   Mp3 Labeled
SOPRANO : YouTube   •   Mp3 Labeled
1st ALTO : YouTube   •   Mp3 Labeled
2nd ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled
79391 • PLENI SUNT Cappella Sistina MS 17 “Missa Mille Regretz” (Morales)
The “Pleni Sunt” section will be sung by soloists.
PDF Score (Singer)
EQUAL VOICES : YouTube   •   Mp3 Labeled
SOPRANO : YouTube   •   Mp3 Labeled
TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled
79467 • HOSANNA Cappella Sistina MS 17 “Missa Mille Regretz” (Morales)   •
PDF Score (Singer)
EQUAL VOICES : YouTube   •   Mp3 Labeled
SOPRANO : YouTube   •   Mp3 Labeled
1st ALTO : YouTube   •   Mp3 Labeled
2nd ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Agnus Dei “Mille Regretz”
Nicolas Gombert (+ Josquin)
PDF musical score
EQUAL VOICES : YouTube
SOPRANO : YouTube
1st ALTO : YouTube
2nd ALTO : YouTube
1st TENOR : YouTube
2nd TENOR : YouTube
BASS : YouTube

“Lead, Kindly Light”
Kevin Allen   (Cardinal Newman’s Hymn)
Participants will be sent this © score via email.
EQUAL VOICES : Mp3 Labeled
SOPRANO 1 : Mp3 Labeled
SOPRANO 2 : Mp3 Labeled
ALTO 1 : Mp3 Labeled
ALTO 2 : Mp3 Labeled
TENOR 1 : Mp3 Labeled
TENOR 2 : Mp3 Labeled
BASS 1 : Mp3 Labeled
BASS 2 : Mp3 Labeled
Men sing Verse 1; Ladies sing Verse 2; Tutti for Verse 3.

Gloria iii
Gregorian Chant
Musical Score • Rehearsal video
Polyphonic Middle Section (Kevin Allen)
PDF Score (Singer)
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Alleluia
Giovanni Pierluigi da Palestrina (d. 1594)
PDF Score (Singer)
EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

“Quam Dilecta” (Kevin Allen)
Matri Divinae Gratiae Collection
Participants will be sent this © score via email.
SOPRANO • ALTO • BASS
Sung by a very small group of singers.
Sung by a large group of volunteer singers.

“Uxor Tua” (Gradual)
Kaitrin Drost will conduct this.
Rehearsal Video: https://ccwatershed.org/24656/
Musical Score for women only.

“Ave Maria for Five Voices”
Giovanni Pierluigi da Palestrina (d. 1594)
#24006 • PDF Musical Score
EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
FIRST TENOR : YouTube
SECOND TENOR : YouTube
BASS : YouTube

“Hail, Holy Queen enthroned above”
Soprano Descant
You can listen to the SOPRANO DESCANT and rehearse your individual voices by clicking here.

Forthcoming:

Everything else listed on the “Golden Repertoire Sheet” (see above).

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

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