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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · March 12, 2025

“Entrance Chant” • 2nd Sunday of Lent

This English adaptation uses mode 4, as does the authentic Gregorian Chant version.

Jeff Ostrowski · March 10, 2025

A Spanish Hymn for Lent

This particular hymn is being considered for inclusion in the “Cantoral del Padre Antonio Daniel.”

Jeff Ostrowski · March 7, 2025

“Music List” • 1st Sunday of Lent

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · March 7, 2025

“Kyrie Setting” we’re doing for Lent

Kyrie VIII with polyphony.

Jeff Ostrowski · March 5, 2025

“You who dwell in the shelter of the Lord…”

I’m not sure I know another feast like the 1st Sunday of Lent.

Jeff Ostrowski · March 4, 2025

“Entrance Chant” • 1st Sunday of Lent

This English adaptation uses mode 8, as does the authentic Gregorian Chant version.

Jeff Ostrowski · March 1, 2025

“Music List” • 8th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · February 28, 2025

Communion • 8th Sunday Ord. Time

This communion is particularly beautiful.

Jeff Ostrowski · February 26, 2025

“Entrance Chant” • 8th Sunday (Ord. Time)

This English adaptation uses mode 1, as does the authentic Gregorian Chant version.

Jeff Ostrowski · February 18, 2025

PDF Download • “Chabanel Tones”

This PDF file contains the various tones—including organ accompaniment—used for the Chabanel Psalter.

Jeff Ostrowski · February 13, 2025

“Entrance Chant” • 7th Sunday (Ord. Time)

This English adaptation uses mode 5, as does the authentic Gregorian Chant version.

Jeff Ostrowski · February 11, 2025

“Reader Feedback” • 11 February 2025

A priest serving in Washington D.C. writes to us…

Jeff Ostrowski · February 8, 2025

“Reminder” — Month of February (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · February 7, 2025

“Music List” • 5th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Corpus Christi Watershed · February 5, 2025

Abbey Psalms & Canticles • Copyright?

Confusion, Controversy, and Contradiction rules the day.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

Recent Posts

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  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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