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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · March 17, 2020

Disturbing Trend

Have you noticed how many people these days don’t know what an analogy is?  If I say to John Doe, “that’s the pot calling the kettle black,” frequently John Doe will go around telling everybody I called him an ugly pot.  It’s quite disturbing.  I’ve also noticed that many Americans believe the definition of “possible” […]

Jeff Ostrowski · March 13, 2020

Internet Bullies

Any Christian who tries to make a difference in the sacred music world must expect to face opposition and scorn. Today, the attacks will frequently come from “internet cowards” who hide behind false names, fake biographies, anonymous blogs, and so forth. Falsehoods and calumnies from anonymous sources are impossible to debunk—because recognition is what they […]

Jeff Ostrowski · March 6, 2020

Singing in the Papal Choir during the 16th century…

“Juan Sánchez, first admitted in June, 1529, was the most flamboyant member of the generally hot-tempered Spanish section of the choir. In January, 1540, not wishing to sing the part allotted him by the director, he hit him “in the presence of the Sacrament,” thus creating a “very great scandal.” He was imprisoned, but the […]

Jeff Ostrowski · March 5, 2020

Excerpt (November, 1545) for Choir Members at the Vatican

There were about 32 singers: “A singer need not be in holy orders but must be a man of honor and of good repute. When a new member is proposed, his character shall first be examined, and then he shall be brought to a musical examination conducted by the choir members themselves. The first requisite […]

Jeff Ostrowski · March 2, 2020

Pope Pius X had been a choirmaster!

During his final year of theological studies at the seminary, Pope Pius X served as choirmaster to the seminarians! While serving as bishop of Mantua, he founded a Schola Cantorum and personally taught courses in sacred music and Cantus Gregorianus. Fascinating!

Jeff Ostrowski · February 4, 2020

Could Pope St. Pius X Sing?

“On 12 March 1908, the complete publication of the Roman Gradual was issued by the Vatican Press. On that very day, Dom Pothier solemnly presented the first copy to the Holy Father. A witness of the audience says that Pius X wished to be the first to see the new book; he opened it at […]

Jeff Ostrowski · February 4, 2020

Julius Bas Accompaniment

A very prolific harmonizer of Gregorian chant in the early 20th century was Mr. Julius Bas. He often uses a very strange technique, wherein he employs rests to eliminate the Alto, Tenor, and Bass voices. Consider what he did with “Lumen ad revelationem” here: *  JPEG • Lumen ad revelationem It seems quite lazy, and I’ve […]

Jeff Ostrowski · February 4, 2020

Hitting wrong notes

Fr. Valentine Young, OFM, used to say: “The organist can play 1,000 correct notes and one wrong note—and the only thing people will care about is the wrong note.” Last Sunday I hit some wrong notes, and felt bad. Then I remembered a story about Rudolf Serkin and started to chuckle. Charles Rosen (or was […]

Jeff Ostrowski · February 3, 2020

Silence

Saint Peter (II Peter 3:16) says the writings of Saint Paul are extremely difficult to understand—and I Corinthians 14:34-35 seems an example. But I have something else to say about silence in church: it depends upon the time of day. I have responsibility over four (4) Masses each Sunday, and there are “levels” of silence. […]

Jeff Ostrowski · February 2, 2020

Another Purification “Mystery”…

Re: February 2nd in the EF: The following verse was also removed from the 1962 Missale Romanum. Neither does it appear in the 1962 Graduale Romanum of Solesmes: “Vs. Cum indúcerent púerum Jesum parentes ejus, ut fácerent secúndum consuetúdinem legis pro eo, ipse accépit eum in ulnas suas.” It was deleted from the Antiphon “Respónsum […]

Jeff Ostrowski · February 2, 2020

“Mystery” about the Purification in the Extraordinary Form

From what I can tell, the chant “Exsúrge, Dómine, ádjuva nos”—which formerly was sung while candles were being distributed, toward the end—was removed in 1962. It does not appear in the official 1962 Missale Romanum. Nor does it appear in the 1961 Solesmes Graduale Romanum. The Liber Usualis has it, but it’s well known that […]

Jeff Ostrowski · January 28, 2020

Anger at mistakes?

I have a bad habit of getting frustrated when choir members take a long time to learn a particular interval or entrance. But this can be “cured.” It was cured a few weeks ago, when I made a mistake. I was supposed to go down a minor third, but instead I went down a perfect […]

Jeff Ostrowski · January 26, 2020

“The old man carried the Child, but the Child led the old man.”

The Antiphon for First Vespers of the Feast of the Purification (February 2nd) is beautiful: “The old man carried the Child, but it was the Child who was guiding the old man. The Virgin bore the Child, and after child-bearing was virgin still: whom she bore, him she adored.” —Senex púerum portábat, puer autem senem […]

Jeff Ostrowski · January 23, 2020

A quote from Fr. Valentine Young

I had one brother who was out of the church for quite a few years. When my mother was asked, “Did she worry about him?” I remember her answer: “I don’t worry about him; I just pray for him.” She left that in God’s hands. My mother did not live to see her son return […]

Jeff Ostrowski · January 23, 2020

“Theoricam practicamque”

In a book printed by Solesmes Abbey in 1902, “Kyrie Rex Genitor” is also called Theoricam practicamque. Can anyone explain why? And how does that translate into English? “Theoricam practicamque vitam regens Deus Pater.”

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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