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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · October 15, 2022

This Sunday’s Introit • “Official” Rhythm

Our Schola Cantorum members prefer to hear recordings of chants we’re learning. This morning I attempted this recording of the INTROIT for this coming Sunday, which is the 19th Sunday after Pentecost. My voice was groggy, but I suppose we singers can’t expect to have a recording studio follow us around all day waiting for […]

Jeff Ostrowski · October 13, 2022

PDF Download • “Liber Cantualis”

On 22 November 1963, Pope Paul VI established the “Consociatio Internationalis Musicae Sacrae.” On 16 July 1966, the Vatican reiterated that the Consociatio was “the only international association of sacred music approved by the Holy See.” It’s very difficult—at least for me—to figure out what happened to that organization, and whether it still exists. One […]

Jeff Ostrowski · October 11, 2022

Feedback • “Not Happy With Your Article”

“My name is *******. I wanted to share with you my thoughts on your recent blog post. I was very displeased with this article. […] I’ve have been a supporter of the Latin Mass since I was 14 years old. I’m now 26 and a seminarian; and I very much hope (in the near future) […]

Jeff Ostrowski · October 10, 2022

“Chord Pausing” • Choir Warm-Ups

Download my “choir warm-up” at this link. Have your singers pause on different chords. As choirmaster, see if you can identify each seventh chord in real time (and which position it’s in). You can hear my volunteer choir attempting this. You will notice that we still have work to do, because the singers must be […]

Jeff Ostrowski · October 5, 2022

“Portable organ shall be lowered…”

Alonso Lobo (1555-1617) started out as an assistant to Father Guerrero (d. 1599). In the book by Stevenson—which I never grow tired of praising—we find this wonderful excerpt which provides fascinating details vis-à-vis musical performance circa 1600AD. I like how it says that on Easter the prosa “must be the one composed by Morales.”

Jeff Ostrowski · September 21, 2022

Why Text Only?

Why do hymns in the Saint Jean de Brébeuf Hymnal give so many optional “text only” versions of the hymns? It’s easier to demonstrate than explain. Consider Hymn #24, which allows the director to choose a wonderful melody and easily apply it to the text. Hymnal editors knew about the value of “text only” versions […]

Jeff Ostrowski · September 20, 2022

“Choral Eavesdropping” • 15 Sept. 2022

If you enjoy eavesdropping, here’s a rehearsal excerpt (mp3) of my volunteers singing the exercise I posted last week. This is the second time we’ve used it, and I can definitely hear improvement. You can download this choral warm-up for free.

Jeff Ostrowski · August 25, 2022

Have You Done This?

Friends, have you done this yet? I’m talking about subscribing to our free mailing list. We beg you! Do this as soon as possible. Scroll to the bottom of any article, and you will see the place you input your email.

Jeff Ostrowski · August 15, 2022

PDF • “Organ Interludes” (Manuals Only)

In graduate school, one is taught a valuable lesson: if you emphasize everything, nothing is emphasized. In other words, putting every other word in bold or italic (or both) wrecks your paper. I never to use the word “best”—but today I make an exception. The book of organ interludes released today by my colleague is […]

Jeff Ostrowski · August 4, 2022

For the Upcoming Choir Season!

Last week, I posted an SATB choral setting of the SANCTUS in a ‘contemporary’ style. You might want to consider this piece for two reasons: (1) It’s extremely brief; (2) Free rehearsal videos are available for each individual part. The piece is by Father Lhoumeau.

Jeff Ostrowski · July 12, 2022

PDF Download • “Sunday Vespers” (22 pages)

In spite of its imperfections, creating this (draft) booklet required much more effort than I had anticipated.

Jeff Ostrowski · July 11, 2022

11 July 2022 • FEEDBACK

Someone who heard the CCW plainsong recordings with NOH accompaniment says: “For years I have travelled the continents and crossed the oceans of Gregorian chant in search of a composition and interpretation as sublime as this. The text and the melody are interwoven in a game of mirrors with the interpreters, the singer and the […]

Jeff Ostrowski · July 11, 2022

Gregorian Chant • Its “True” Rhythm

I’m dumbstruck (with joy) to see that my recent video presentation on plainsong rhythm has garnered quite a number of “views” on VIMEO. I also made the full presentation available on YouTube, and—as I write these words—it has collected 700+ views. How cool is it that folks are still interested in the rhythm of Cantus […]

Jeff Ostrowski · July 2, 2022

Across the Pacific • Alto is “Raving”

From Asia: “I held choir rehearsal yesterday and one of the choir members (singing Alto) was just raving about how she loved the layout of the Brébeuf Choral Supplement because she didn’t have to look up and down for both music and verse—and she loved the ease with which she could sing her part because […]

Jeff Ostrowski · June 30, 2022

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant: “Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and […]

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
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  • Which Mass?

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