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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · December 24, 2011

Knowledge of God

Sheer Grace

Fr. David Friel · December 18, 2011

Sin & Error Pining

‘Til He Appeared

Jeff Ostrowski · December 12, 2011

Learn A New Word, See It Within 24 Hours

Happens every time . . .

Fr. David Friel · December 9, 2011

Holy and Without Blemish

Is the Immaculate Conception Relevant?

Fr. David Friel · December 5, 2011

Advent Exercise

Run to Christ

Fr. David Friel · November 29, 2011

The Lectionary for Mass

Where Do the Readings Come From?

Fr. David Friel · November 24, 2011

Follow the Leper

The Way of Gratitude

Fr. David Friel · November 19, 2011

Church Dedication

An Invitation

Corpus Christi Watershed · November 15, 2011

Achille P. Bragers Kyriale (HIGH VOICE)

The famous “Bragers Kyriale” contains organ accompaniments for all the Gregorian Ordinaries of the Mass.

Fr. David Friel · November 9, 2011

Beautiful Churches?

Completely Gratuitous

Fr. David Friel · November 1, 2011

Marching in A Great Multitude

Our Destiny

Fr. David Friel · October 26, 2011

Fear & Trembling

The Anxiety of Abraham

Guest Author · October 18, 2011

The title you choose must not be extremely long

This should be a (relatively short) sentence designed to make people want to read your blog. It can have some “shock value” … but don’t go crazy!

Corpus Christi Watershed · October 12, 2011

Five New Translation Videos • “Glory To God”

Glory to God in the highest, and on earth peace to people of good will.

Fr. David Friel · September 28, 2011

Weddings & Funerals

What’s the Difference?

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

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  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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