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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · April 24, 2012

The Resurrected Christ

We Are Witnesses of These Things

Jeff Ostrowski · April 23, 2012

Learn A New Word, See It Within 24 Hours (4)

“What I’m tempted to believe rises to the level of an axiom: We always have time for whatever it is that we want to have time for.”

Fr. David Friel · April 18, 2012

Spare Us, O Lord!

The Meaning of Mercy

Fr. David Friel · April 9, 2012

A Father Who Keeps His Promises

The Easter Miracle

Jeff Ostrowski · April 5, 2012

The UBI CARITAS chant for Holy Thursday

Download five (5) different free versions of the “Ubi Caritas”

Fr. David Friel · April 2, 2012

Hebdomas Sancta

Choose Your Own Character

Fr. David Friel · March 21, 2012

St. Joseph Triduum — Installment No. 3

Part 3 of 3: Joseph of Nazareth

Fr. David Friel · March 19, 2012

St. Joseph Triduum — Installment No. 2

Part 2 of 3: Joseph of Arimathea

Jeff Ostrowski · March 15, 2012

Hymns: Everything You Ever Wanted To Know (1 of 2)

PART 1: What is a Catholic “hymn” ?

Jeff Ostrowski · March 15, 2012

Hymns: Everything You Ever Wanted To Know (2 of 2)

PART 2: How do hymns fit into the Catholic Mass ?

Fr. David Friel · March 15, 2012

St. Joseph Triduum — Installment No. 1

Part 1 of 3: Joseph of Egypt

Jeff Ostrowski · March 13, 2012

Mass Propers: Confusion Resolved

A brief summary: What are the Mass Propers?

Fr. David Friel · March 9, 2012

The Artist

A Monumental Mission

Fr. David Friel · March 4, 2012

Women’s Liberation

One Mother’s Story

Fr. David Friel · March 1, 2012

Response to the Flood

Love the Church

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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