Views from the Choir Loft

Articles

Fr. David Friel · February 20, 2012

Roman Missal 3.0 — Installment No. 5

Part 5 of 5: The Musical Missal

Fr. David Friel · February 16, 2012

Roman Missal 3.0 — Installment No. 4

Part 4 of 5: Fidelity Reveals Theology

Fr. David Friel · February 10, 2012

Roman Missal 3.0 — Installment No. 3

Part 3 of 5: The Orientation of the Canon

Fr. David Friel · February 6, 2012

Roman Missal 3.0 — Installment no. 2

Part 2 of 5: The Beauty of Repetition

Jeff Ostrowski · February 3, 2012

A Polyphonic Kyrie During Lent

The Gloria is not said during Lent, so musicians can “get away” with using a slightly longer Kyrie . . .

Fr. David Friel · February 3, 2012

Roman Missal 3.0 — Installment no. 1

Part 1 of 5: The Church as “She”

Fr. David Friel · January 31, 2012

Free From All Anxiety

The Things of the Lord vs. the Things of the World

Fr. David Friel · January 19, 2012

David

The Ultimate Underdog

Fr. David Friel · January 16, 2012

Samuel & Eli

The Needs of the Church

Jeff Ostrowski · January 13, 2012

Learn A New Word, See It Within 24 Hours (3)

The phenomenon continues.

Fr. David Friel · January 10, 2012

Catholic Education & the Epiphany

The Hidden Teacher

Fr. David Friel · January 9, 2012

The Hallowed Name

To Use or Not to Use?

Fr. David Friel · January 2, 2012

Mother Mary

A Resolution

Fr. David Friel · December 27, 2011

Favorite Scripture Passage?

An Unlikely Suggestion

Fr. David Friel · December 24, 2011

Knowledge of God

Sheer Grace

“Music List” • 19th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.

—Jeff Ostrowski

This Sunday’s Communion Antiphon

This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.

—Jeff Ostrowski

Using “Ye” Vs. “You” Correctly

Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed