Views from the Choir Loft

Articles

Richard J. Clark · January 14, 2013

Biography • Richard J. Clark

Richard serves as Music Director and Organist at Holy Cross Cathedral . . .

Jeff Ostrowski · January 13, 2013

The Need For Beauty In the Church

Artistic works often look “natural and easy” but their creation might have been by “blood, sweat, and tears.”

Cynthia Ostrowski · January 12, 2013

Catholic Line Art, Black and White • Installment #02

I will be releasing hundreds of these pictures for general use by Catholics everywhere.

Aristotle A. Esguerra · January 12, 2013

Aristotle A. Esguerra

Aristotle has served since 2009 as music director of two churches . . .

Wilfrid Jones · January 11, 2013

Biography • Wilfrid Jones

Wilfrid Jones went on to a choral scholarship at New College, Oxford, where he read music before completing masters degrees in theology at the University of Birmingham and in education at the University of Cambridge…

Cynthia Ostrowski · January 10, 2013

Catholic Line Art, Black and White • Installment #01

I will be releasing hundreds of these pictures for general use by Catholics everywhere.

Fr. David Friel · January 10, 2013

Biography • Father David M. Friel

Father Friel was ordained to the Catholic Priesthood in May 2011 . . .

Veronica Moreno · January 10, 2013

Biography • Veronica Moreno

While at UCLA, Veronica earned an undergraduate degree in Ethnomusicology and went on to study special education at Cal State LA.

Gwyneth Holston · January 9, 2013

Gwyneth Holston

Gwyneth is a sacred artist who works to provide and promote good quality Catholic art…

Fr. David Friel · January 8, 2013

Warring Gods

The Ancient Worldview

David J. Hughes · January 8, 2013

David J. Hughes

David is Organist & Choirmaster at St. Mary Church in Norwalk . . .

Fr. David Friel · January 7, 2013

Little Christmas

Gift of Self

Jeff Ostrowski · January 7, 2013

Baptism of our son

Our son was baptized by Most Rev. Bishop René H. Gracida.

Dr. Peter Kwasniewski · January 6, 2013

Peter Kwasniewski

Peter has held posts with the International Theological Institute in Austria . . .

Andrew R. Motyka · January 4, 2013

Biography • Andrew R. Motyka

Andrew is Director of Liturgical Music for the Archdiocese of Indianapolis . . .

PDF Download • “Offertory” for this Sunday

This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.

—Jeff Ostrowski

Why A “Fugue” Here?

I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!

—Jeff Ostrowski

“Reminder” — Month of October (2025)

Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’