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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

1928 Weinmann Graduale (on modern staves)

Corpus Christi Watershed · March 19, 2013

ERE IS THE bibliographical information: Gradualbuch: Auszug aus der Editio Vaticana mit Choralnoten, Violinschlssel, geeigneter Transposition, Ubersetzung der Texte und Rubriken • Herausgegeben von Dr. Karl Weinmann (1873-1929) • 1928: Regensburg, Rom, New York & Cincinnati • Druck und Verlag von Friedrich Pustet • Typograph des Heil. Apost. Stuhles und der heil. Ritenkongregation • Weinmann’s Editio Vaticana in Pothier’s Gregorian chant notation BUT ON MODERN STAVES.

*  PDF Download • “Gradual on Modern Staves” (1 of 4)
—92.2MB • “Introduction” + “Proper of the Time” until Easter Sunday
*  PDF Download • “Gradual on Modern Staves” (2 of 4)
—85.3MB • “Proper of the Time” starting at Easter Sunday
*  PDF Download • “Gradual on Modern Staves” (3 of 4)
—191MB • “Proper of the Saints” + “Votive Masses”
*  PDF Download • “Gradual on Modern Staves” (3 of 4)
—89MB • “Settings for the Ordinary of the Mass (Kyriale)” + “Indices”

BIOGRAPHY: Dr. Karl Weinmann (1873-1929) was a Roman Catholic priest. It is not known whether he was associated in any way with THE SAINT LEO INSTITUTE FOR SACRED MUSIC, which was founded by Father Franz Xaver Mathias in 1913. Fr. Mathias was an Alsatian priest and organist. Dr. Franz Haberl in a letted dated November 8th, 1908 says among other things: “The question of rhythm has not been solved by the publication of the Vatican edition of the chant.” Dr. Weinmann, author of Geschichte der Kirchenmusik (Leipzig, 1908), and professor of the history of Church music at Dr. Haberl’s school in Ratisbon…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 25, 2022

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Corpus Christi Watershed

Quick Thoughts

    Hymn by Cardinal Newman
    During the season of Septuagesima, we will be using this hymn by Cardinal Newman, which employs both Latin and English. (Readers probably know that Cardinal Newman was one of the world's experts when it comes to Lingua Latina.) The final verse contains a beautiful soprano descant. Father Louis Bouyer—famous theologian, close friend of Pope Paul VI, and architect of post-conciliar reforms—wrote thus vis-à-vis the elimination of Septuagesima: “I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed (with no good reason) Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”
    —Jeff Ostrowski
    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I'm not a fan of chant in octaves, but we had such limited time to rehearse, it seemed the best choice. After all, everyone should have an opportunity to learn “Lumen Ad Revelatiónem Géntium,” which summarizes Candlemas.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.