Views from the Choir Loft

1928 Weinmann Graduale (on modern staves)

Corpus Christi Watershed · March 19, 2013

ERE IS THE bibliographical information: Gradualbuch: Auszug aus der Editio Vaticana mit Choralnoten, Violinschlssel, geeigneter Transposition, Ubersetzung der Texte und Rubriken • Herausgegeben von Dr. Karl Weinmann (1873-1929) • 1928: Regensburg, Rom, New York & Cincinnati • Druck und Verlag von Friedrich Pustet • Typograph des Heil. Apost. Stuhles und der heil. Ritenkongregation • Weinmann’s Editio Vaticana in Pothier’s Gregorian chant notation BUT ON MODERN STAVES. 676 pages

*  PDF Download • “Gradual on Modern Staves” (1 of 4)
—92.2MB • “Introduction” + “Proper of the Time” until Easter Sunday
*  PDF Download • “Gradual on Modern Staves” (2 of 4)
—85.3MB • “Proper of the Time” starting at Easter Sunday
*  PDF Download • “Gradual on Modern Staves” (3 of 4)
—191MB • “Proper of the Saints” + “Votive Masses”
*  PDF Download • “Gradual on Modern Staves” (3 of 4)
—89MB • “Settings for the Ordinary of the Mass (Kyriale)” + “Indices”

BIOGRAPHY: Dr. Karl Weinmann (1873-1929) was a Roman Catholic priest. It is not known whether he was associated in any way with THE SAINT LEO INSTITUTE FOR SACRED MUSIC, which was founded by Father Franz Xaver Mathias in 1913. Fr. Mathias was an Alsatian priest and organist. Dr. Franz Haberl in a letted dated November 8th, 1908 says among other things: “The question of rhythm has not been solved by the publication of the Vatican edition of the chant.” Dr. Weinmann, author of Geschichte der Kirchenmusik (Leipzig, 1908), and professor of the history of Church music at Dr. Haberl’s school in Ratisbon…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“What Martin Luther Said…”

My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.

—Jeff Ostrowski

“Music List” • 15th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.

—Jeff Ostrowski

15th Sunday in Ordinary Time (Year C)

This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed