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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Richard J. Clark · January 12, 2018

Msgr. Michael F. Groden’s Contribution to Sacred Music

Quite curiously, the first full-time employee this developer and builder hired as pastor was a musician. A musician? Really? Yes.

Corpus Christi Watershed · January 12, 2018

St. Therese Carmelite School • Bright Ray Of Hope!

Carmelite Friars teaching full time, Carmelite Spirituality, Euclid Geometry, Latin beginning in the second grade…

Andrew Leung · January 11, 2018

Don’ts for Choirmasters (Part 2)

John Newton’s practical, spiritual and entertaining ideas and advice for choirmasters.

Jeff Ostrowski · January 11, 2018

PDF Download • Easy Hymn with Melody in Tenor

The Brébeuf hymnal contains carefully chosen and flexible melodies; do you see how the following tune (“Old Hundredth”) can be used in the Tenor voice?

Jeff Ostrowski · January 10, 2018

Does CCW Matter? Some Messages…

“Keep on doing what you do; despite criticism.” —A reader

Jeff Ostrowski · January 8, 2018

PDF Download • Anglican Hymnal (1,151 pages)

I bet you’ve not seen this fascinating book! • Many pieces in this Anglican collection are actually translations of Roman Catholic hymns, such as Ave Maris Stella, Audi Benigne Conditor, Ad Regias Agni Dapes, and so forth • Readers will mainly be interested in sections 3 and 4 • The “Englished” versions of the propers (e.g. Puer Natus Est) are quite interesting+

Fr. David Friel · January 7, 2018

Mutuality vs. Male Headship within Marriage

Liturgical Evidence from Marriage Rituals throughout History

Veronica Brandt · January 6, 2018

Tweaking Linebreaks Online with Gregorio

You CAN add linebreaks with Illuminare Score Editor. All in the browser.

Jeff Ostrowski · January 5, 2018

2018 • Christendom College Choral Scholarships!

These will consist of $4,500 in tuition reduction and $1,500 toward voice lessons throughout the year.

Andrew Leung · January 4, 2018

Don’ts for Choirmasters (Part 1)

A recently-discovered manual for choir directors by John Newton.

Jeff Ostrowski · January 4, 2018

PDF Download • Best Hymnal Ever Printed?

If you like this, stay tuned—I’ll soon release a 1,200 page treasure!

Veronica Moreno · January 2, 2018

[español] Sound Does Matter!

¡IMPORTA EL SONIDO! (2018). Lucas Tappan nos da un reto: dejen el micrófono, dejen la amplificación. Usen la resonancia de nuestras iglesias y nuestros coros, si es posible. El canto gregoriano y la polifonía y el himnario congregacional se desarrollaron antes de la amplificación eléctrica y creo firmemente que una acústica adecuada es esencial para su éxito.

Dr. Lucas Tappan · January 2, 2018

Sound Does Matter!

In a sense, I understood every word. As a matter of fact, I was beaten over the head by every one of them.

Fr. David Friel · December 31, 2017

USCCB Assesses Impact of “Magnum Principium”

Seven Observations on Liturgical Translation and the Recent Motu Proprio

Jeff Ostrowski · December 31, 2017

“Veni Creator Spiritus” • with Fortescue’s English Translation

A plenary indulgence can be gained by singing the “Veni Creator Spiritus” publicly on New Year’s Day.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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