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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · June 29, 2018

Gregorian Impressions • Plainchant Settings for Organ

A new collection of organ works based on familiar and beloved plainchants

Andrew Leung · June 28, 2018

How to be a Good Choir Member?

Some tips on how to be a good teammate in a choir.

Fr. David Friel · June 24, 2018

Novena for Our Lady of Mt. Carmel

Solemn High Mass at Philadelphia Carmel

Jeff Ostrowski · June 24, 2018

(Recorded Live) • “Agnus Dei” at the Symposium

About 450 people attended the Mass on Friday night

Jeff Ostrowski · June 19, 2018

iPhone Clip • From Sacred Music Symposium 2018

This year’s Symposium has begun…with a bang!

Fr. David Friel · June 16, 2018

Sacred Music Camp in Allentown, NJ

New Opportunity for Children Grades 3–12

Richard J. Clark · June 15, 2018

James David Christie • International Performer of the Year

As both performer and teacher, James David Christie models excellence and beauty.

Andrew Leung · June 14, 2018

Raising the Musical Standards (Part 2)

Raising the musical standards leads to deeper prayers…

Jeff Ostrowski · June 12, 2018

“Come Holy Ghost” • Improvisation

Can you improvise?

Veronica Brandt · June 10, 2018

Save the World: Build More Carmels

Society grows great when old men plant trees whose shade they know they shall never sit in.

Fr. David Friel · June 10, 2018

Sacred Music Camp for Children in Philadelphia

The Inaugural “Cantate Domino” Festival

Veronica Brandt · June 9, 2018

Perpetual Succour Passes the Equator

One young doctor sailing across the Pacific Ocean to raise money for the Indigenous Literacy Foundation. You do meet all sorts at Mass.

Jeff Ostrowski · June 8, 2018

“No, I was taught that in school…”

The famous wit of William F. Buckley Jr. is quite conspicuous in this clip.

Andrew Leung · June 7, 2018

Raising the Musical Standards (Part 1)

The low musical standards in churches these days…

Jeff Ostrowski · June 5, 2018

Sanctus & Benedictus • “Ave Maris Stella” (Victoria)

We’ve released rehearsal videos for the Kyrie—today, we release the Sanctus & Benedictus!

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • “Reminder” — Month of November (2025)
  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals

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