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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • Anglican Hymnal (1,151 pages)

Jeff Ostrowski · January 8, 2018

Here’s the direct URL link.

90788 Bullock HYMNAL 1907 CURRENTLY SERVE on an international committee working on a collection called the St. Brébeuf Hymnal. We have assembled something like 200,000 pages of old hymnals, and naturally we focus mainly on the Catholic hymnals. We’ve also encountered some fantastic non-Catholic hymnals.

You’ve probably never seen these 1,151 pages:

* *  PDF Download • Anglican Hymnal (57.1MB)

Many pieces in this Anglican collection are actually translations of Roman Catholic hymns, such as Ave Maris Stella, Audi Benigne Conditor, Ad Regias Agni Dapes, etc. (Readers will mainly be interested in sections 3 and 4.)

To demonstrate how marvelous this book is, I’ve compiled the complete indices:

* *  PDF • COMPLETE INDEX [all 4 volumes]

When I was in college, we analyzed 4-5 different versions of Hassler’s “O Sacred Head Surrounded” harmonized by J.S. Bach—and I really wish I’d saved them because they were beautiful. Here’s an interesting harmonization found in the 1907 hymnal:

90792 O SACRED HEAD

They also have many “Englished” settings Propers:

90793 INTROIT

Those interested in proofreading the St. Jean de Brébeuf Hymnal should email the committee. My understanding is they’re searching for proofreaders. Make sure the word “proofreader” is in your email subject line.

Full title of book:

THE NEW OFFICE HYMN BOOK

PARTS I. AND II.

Part I.

CONSISTING OF
INTROITS FOR THE SUNDAYS AND FESTIVALS
WITH THE GRADUALS AND ALLELUIAS,
AND SOME SEQUENCES.

Part II.

CONSISTING OF
OFFICE HYMNS, CHIEFLY FROM THE ROMAN
AND SARUM BREVIARIES, TOGETHER
WITH THE PROPER MELODIES.

THE NEW OFFICE HYMN BOOK

PARTS III. and IV.

CONSISTING OF
HYMNS NEW AND OLD, SACRED SONGS,
CAROLS AND LITANIES

THE WORDS SELECTED AND EDITED BY
Rev. J. F. W. BULLOCK, M.A.
Rector of Radwinter; Editor of “Daily Lections.”

THE MUSIC SELECTED AND ARRANGED BY
Rev. C. J. RIDSDALE, B.A.
Vicar of S. Peter’s, Folkestone;
Editor of the Music of “The Children’s Service Book.”

(London: Novello and Company, 1907)

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Sacred Head Surrounded Last Updated: August 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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