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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Most Pure Heart of Mary Schola Cantorum

Dr. Lucas Tappan · March 9, 2015

187 Most Pure Heart Choir N MY PREVIOUS POST regarding famous choir schools, I promised the next one would cover the Regensburger Domspatzen (the Regensburg Cathedral Sparrows), but first I would like to share some exciting news. Currently, there are only two Catholic choir schools in the United States, but beginning in the fall of 2015 they will be joined by a third in Topeka, KS.

If you have read my biography, you know that I work for an incredible parish in northeastern Kansas: Most Pure Heart of Mary Catholic Church. The parish is home to 1800 families, as well as a school with 400 children enrolled and a vibrant home schooling community. The parish is shepherded by two young, dynamic priests who are committed to living the Faith in its fullness and bringing that Faith into the world. We currently have three men from the parish studying for the priesthood, one of whom will be ordained in May.

Four years ago our former pastor gave me permission to spend six weeks at the Madeleine Choir School in Salt Lake City, UT, in order to gather information for my doctoral document (which is on the Madeleine Choir School). When I asked him for permission to go, I told him that I would like to begin such a choral program in the parish, and from that meeting was born the Most Pure Heart of Mary Schola Cantorum. Until now, the Schola Cantorum has always been an “after school” choir school. Our 45 choristers currently rehearse two to three hours every week and sing every Sunday, save one, from September through the Feast of the Immaculate Heart of Mary (our Patroness). The choir focuses on intense vocal training as well as sight-singing and ear-training. Two years ago we began a training program for organists and last year the choir recorded its first CD, A Service of Lessons and Carols. In January of 2016, the choir will travel to Rome to sing for the papal Mass on the Feast of the Epiphany, alongside the Sistine Chapel Choir as well as others from around the world.

With the blessing of our pastor and our principal, the Schola Cantorum will be integrated in the parish school in the fall of 2015, in effect becoming the third Catholic choir school in the United State of America.

I write this in order to share my genuine excitement with people who feel the same way, but also to ask for a favor. We are searching for a new music teacher to continue the 25 plus year legacy of our current music teacher who is retiring in the spring. If you or someone you know would like to help provide an incredible musical education to future generations of our youth, please contact me. This could be your chance of a life time! Finally, I ask for your prayers for our new choral foundation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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