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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update IV

Fr. David Friel · June 4, 2015

NE OF THE MOST engaging talks we heard during this conference came from one of the co-organizers of the event, Rev. Richard Cipolla, now pastor of St. Mary’s Church in Norwalk, CT. Under the title “Liturgy as the Source of Priestly Identity,” Fr. Cipolla’s words were of interest to clergy & laity alike.

He remarked at one point about the poverty of the term “presider,” which ignores the essential character of priestly life. The priest, after all, is more than just a random person appointed to lead the assembly; he is the one charged with the duty of offering the sacrifice. In Fr. Cipolla’s words, “To refer to the priest as ‘presider’ surely does damage to his priestly identity.”

After making this point, Fr. Cipolla raised the topic of ad orientem worship, which he considers the natural consequence of reclaiming the sacrificial character of the priest. When the Holy Sacrifice is offered versus populum, this posture forces the priest to engage congregants as if “across the table,” instead of joining in the sacrifice as one of them (and as their leader). Fr. Cipolla encouraged us to reject “the positivism that says what has happened over the last fifty years is necessarily good and true and just.” I hope & expect that the experiment of versus populum Masses will be retired in the years ahead.

There was one more significant point made in this lecture, and it concerned papal infallibility. A convert from Anglicanism, himself, Fr. Cipolla is a well learned devotee of John Henry Cardinal Newman. Cardinal Newman feared the result of defining papal infallibility, not because he disbelieved it, but because of the resulting ultramontanism it might engender.

One could easily argue that the last century-and-a-half of Church history has been significantly influenced by various strains of ultramontanism. In the view of Fr. Cipolla, this is “one of the biggest challenges facing the Church in the 21st Century.”

LET ME CLOSE with a quick word about the beautiful conference liturgies. These celebrations were all held in the parish church of Saint Catherine of Siena in the Upper East Side, staffed by Dominicans.

On our first evening here, we joined in prayer at Solemn Vespers in the presence of a greater prelate, according to the Extraordinary Form. Vespers were sung by the Schola Dominicana of the parish, itself. His Eminence, Raymond Leo Cardinal Burke processed in cappa magna and sat upon a faldstool erected in the sanctuary.

Late on Tuesday afternoon, we assisted at a Solemn Votive Mass of the Holy Angels, celebrated in the Extraordinary Form by Father Sean Connolly, a newly-ordained priest of the Archdiocese of New York. During this Mass, the inimitable David Hughes served as organist, and his student schola sang the Gregorian propers & a playful polyphonic Mass (Missa Ego flos campi, Juan Gutiérrez de Padilla).

Wednesday concluded with the celebration of a Pontifical Mass in Latin in the Novus ordo. This Mass was offered by Archbishop Cordileone and a limited group of concelebrants. Music was provided by the professional Schola Cantorum of the Church of St. Agnes (where Bishop Fulton Sheen often preached). Led by organist & choirmaster James D. Wetzel, the choir sang Josef Rheinberger’s Mass in E Flat Major.

The final day of the conference fortuitously fell on the Solemnity of Corpus Christi, so a solemn Mass in the Extraordinary Form was celebrated by Most Reverend Joseph Perry, Auxiliary Bishop of Chicago. Musicians included a mix of those who were involved in the earlier liturgies. The conference concluded with a Eucharistic procession through the streets, including stops at St. John Nepomucene Church and St. Vincent Ferrer Church.

HIS WILL CONCLUDE my reporting on Sacra Liturgia USA 2015. There are also many other things that could be said about these wonderful days, but if these were to be described individually, I do not think Views from the Choir Loft could contain the posts that would be written. I am grateful to all the organizers & speakers who have made this conference so instructive, so timely, and so well worth attending. It is my hope that the Sacra Liturgia movement will grow, beginning in July 2016 in London. May the good work begun in these days bear fruit in many souls!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Blessed John Henry Cardinal Newman, Cappa Magna Liturgical Vestment, Extraordinary Form 1962 Missal, Raymond Cardinal Leo Burke, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

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