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Views from the Choir Loft

How To Properly Train Young Voices To Sing At Mass

Dr. Lucas Tappan · February 2, 2015

5382 Choir Boys Singing STILL REMEMBER THE DAY I walked into Our Lady Queen of Peace Catholic School on the first day of my sixth grade year. Our family had recently relocated from southern Oklahoma to Illinois. I had never attended a Catholic school before then, and while my family took the Faith very seriously, attending Mass during the week was a new experience for me.

Within the first month of school, our pastor, Fr. James Flach, called all of the 4th, 5th, 6th, 7th and 8th graders together and made it known that the parish was in need of new organists and that he would personally pay for organ lessons for any student who wished to play—in the hopes that one would become an organist.  Well… I am that one.

I played the organ during Mass for the first time on the Feast of the Guardian Angels and have been at it ever since. Today I am the one teaching children and hoping that at least of few will follow in the footsteps of a sacred musician. 1

394 Training Youth Singers SOMETIMES I FEEL we forget about the formation of our children in the grand tradition of sacred music. At the same time, I wonder if some of our many wonderful musicians aren’t a little afraid to stand in front of a room full of children for the first time and raise the baton. I can’t claim to be Olivier Latry at the organ or Sir Richard Terry leading a smart group of choristers through Byrd’s Mass for Five Voices, but there are few people who love working and training choristers more than I do. I am honored to begin blogging at Views from the Choir Loft and desire to pass on the little I have learned to those toiling away in their work with young children.

I will be contributing each week on the subject of “HOW TO PROPERLY TRAIN YOUNG VOICES TO SING AT MASS.”


To learn about Dr. Lucas Tappan, our newest contributor, visit his biography page.




NOTES FROM THIS ARTICLE:

1   That sounds a little grand. Perhaps it would be better to say a musician in the field of sacred music!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
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    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
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    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The first tasks of the new pope will be to restore normality, restore doctrinal clarity in faith and morals, restore a proper respect for the law and ensure that the first criterion for the nomination of bishops is acceptance of the apostolic tradition. Theological expertise and learning are an advantage, not a hinderance for all bishops and especially archbishops.”

— Cardinal Pell (2022) about the pope who will succeed Francis

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  • “Yahweh” in church songs?

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