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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vesting Prayers • Part 7 of 9

Fr. David Friel · August 16, 2015

UR CONSIDERATION of the priestly vesting prayers continues this week with the stole, one of the most important vestments worn during the sacred liturgy. The stole is the distinctive garment of ordained clergymen, symbolizing the role & authority of the minister who wears it. In form, a stole is a long, narrow band of embroidered material worn around the neck that matches the color of the chasuble.

The vesting prayer that accompanies the stole is as follows:

Redde mihi, Domine, stolam immortalitatis, quam perdidi in praevaricatione primi parentis; et, quamvis indignus accedo ad tuum sacrum mysterium, merear tamen gaudium sempiternum.

Restore to me, O Lord, the stole of immortality, which I lost by the transgression of our first parents. Grant that, although I am unworthy to approach Thy sacred mysteries, I may be made worthy of everlasting joys.

I love the fact that, as the priest dons his stole—the very symbol of his priestly authority—he acknowledges his unworthiness to approach the sacred mysteries. No one is worthy to attend Holy Mass, much less offer it. Jean-Marie Vianney, himself, was not worthy to celebrate Mass, and he would be the first to admit it. Nevertheless, the Lord extends the invitation to us to share in the sacrifice of His Son. It is wholly fitting that we priests, especially, should acknowledge our unworthiness before every Mass, so that our approach to ministry might never become casual.

In addressing the maniple last week, we drew attention to the manner in which that vestment symbolizes the toils of priestly life. Similar symbolism applies also to the stole, which is worn like a yoke, around the neck. To some extent, this significance of the stole has been increasingly underscored since the abrogation of the maniple.

Yet another aspect of the stole’s symbolism comes out in the vesting prayer, which refers to the vestment as the “stole of immortality.” The stole, indeed, refers to the everlasting life in which we hope to share.

Traditionally, the manner in which the stole is worn has been used to distinguish the degrees of Holy Orders. For instance, a deacon has always worn the stole draped over his left shoulder down to his right hip. Bishops have always worn the stole around their necks, with the two ends hanging straight down in front. Priests, meanwhile, formerly wore the stole around their necks, with the two ends crossed over in front. Since the reforms of the Second Vatican Council, however, presbyters no longer wear the stole crossed; instead, the stole is worn in the same manner by both bishops and presbyters, without differentiation.

The stole has always been a symbol of authority, and we should not be afraid to admit that. The rationale for the former crossing of the stole was to acknowledge the distinction between the full authority of the bishop and the lesser authority of the priest. According to Fr. Edward McNamara, professor of liturgy at the Regina Apostolorum Pontifical University: “In the light of the Second Vatican Council’s call for an overall simplification of the rites and rubrics, this distinction in the way of donning the stole was abolished.”

Fifty years on, it is worth asking whether the liturgical reform constituted an “overall simplification” or an “over-simplification.”

Let me share, in closing, a short anecdote to illustrate the importance of the stole as a sacred vestment. I never once put a stole around my neck until the day I was ordained a priest. From the time I was a young student in Catholic grade school, I had been taught that the stole was a symbol of priestly identity and authority. For this reason, I always had a profound respect for the stole, and I chose not even to “try on” privately the stole I planned to wear for my first Mass of Thanksgiving. The result has been that, as a priest, the donning of the stole has been especially meaningful. It is a daily reminder of the extraordinary calling I have received.

May the stole be for all ordained ministers a reminder of the sacred responsibilities with which we have been charged!

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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