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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Vesting Prayers • Part 6 of 9

Fr. David Friel · August 9, 2015

ANY CATHOLICS are totally unfamiliar with the maniple, inasmuch as they may never have seen one. So first, by way of description, the maniple is a piece of decorated cloth worn by the priest over his left arm. Coming into use by at least the 6th century, maniples vary widely in their shape, size, and ornamentation. In general form, a maniple looks like a mini stole with clasps or strings. Its use is neither required nor forbidden in the Ordinary Form, but it is required when the Extraordinary Form is offered.

The prayer that accompanies the vesting with the maniple is as follows (notice the rhyme):

Merear, Domine, portare manipulum fletus et doloris; ut cum exsultatione recipiam mercedem laboris.

May I deserve, O Lord, to bear the maniple of weeping and sorrow, in order that I may joyfully reap the reward of my labors.

It is fairly well accepted that the maniple originated as a sort of handkerchief (the Latin word mappula means “napkin”). Perhaps once practically used by the priest to wipe his brow, the maniple eventually took on a spiritual significance that is rather profound. (This is far from the only example of something practical taking on fuller meaning in the sacred liturgy.) The maniple, in time, came to be seen as symbolic of the toils of priestly life. This understanding is reflected in the beautifully honest vesting prayer, which pointedly acknowledges the weeping & sorrow that are part of every human life before it turns to focus on the reward of those labors.

In the background of this vesting prayer, we should also see the text of Psalm 126:

Those who sow in tears shall reap in joy.

Going they went and wept,

casting their seeds,

but coming they shall come with joyfulness,

carrying their maniples. (Vulgate: portantes manipulos suos)

Again, the maniple fell into disuse during the post-conciliar liturgical reforms (Sacred Congregation of Rites, Tres abhinc annos, #25). While it was never formally abrogated, it is customarily not worn in the Ordinary Form. In the Extraordinary Form, it remains a required vestment for the priest, deacon, and sub-deacon.

Wherever it is worn, let the maniple be a rich symbol of the great labor of love which is the priesthood.

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

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