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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

First Look Images! • “Proper Of The Mass” By Fr. Samuel F. Weber

Jeff Ostrowski · April 9, 2015

951 Ignatius Press Proper of the Mass in English ERE ARE SOME photos of Fr. Samuel F. Weber’s new book—The Proper of the Mass for Sundays and Solemnities: Chants for the Roman Missal in English—published by Ignatius Press. The book is much thinner than I had anticipated for being 1,292 pages; it’s approximately the size & weight of the Jogues Lectionary. (The super thin pages are not very opaque, I’m afraid.)

The following link has audio samples & purchase information:

    * *  “Proper of the Mass” • 1,292 pages

At the moment, I don’t want to say anything negative about such a marvelous production. However, I cannot help observing one thing. Since this collection is meant for singing, Fr. Weber probably should have used the “sung” Propers, which are found in the Graduale Romanum. Fr. Weber tended to favor the “spoken” version. On a practical level, this means that some of the Communion antiphons won’t match the Roman Gradual (revised in 1974). 1

A large percentage of the “sung” and “spoken” propers are identical, and Fr. Weber often used melodies identical to corresponding antiphons in the Graduale. That’s why his occasional preference for the “spoken” version printed in the Missal is perplexing. 2

949 Ignatius Press Proper of the Mass in English

948 Ignatius Press Proper of the Mass in English

950 Ignatius Press Proper of the Mass in English

947 Ignatius Press Proper of the Mass in English



NOTES FROM THIS ARTICLE:

1   Tons of other collections could be used when the Communion antiphons don’t match: Motyka’s Communions, the SEP, the Lalemant, the official version from the Graduale, and many more.

2   Obviously, since the Roman Missal doesn’t print any Offertory verses, Fr. Weber drew these exclusively from the Graduale. My understanding is that many of the translations are his own.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Proper of the Mass in English, Propers Ignatius Press by Fr Samuel Weber Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

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