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Views from the Choir Loft

PDF Download: Mediator Dei Hymnal (1955)

Jeff Ostrowski · September 2, 2014

898 Mediator Dei Hymn Book Cyr de Brant HE MEDIATOR DEI HYMNAL was published in 1955, eight years after Pius XII promulgated his encyclical on the liturgy and three years before the death of Pius XII. It was the work of J. Vincent Higginson, who published it under the pseudonym CYR DE BRANT:

      * *  PDF: Mediator Dei Hymnal (1955)

Higginson had the reputation of being a “walking encyclopedia” of American hymnology, and served on the board of directors of the Society of St. Gregory. To see a photograph of Cyr de Brant, look at #1 here.

Over the next few months, we will release many more rare hymnals, in preparation for the release of the forthcoming Jogues Hymnal. We need everyone’s help in choosing the ABSOLUTE BEST Catholic hymns. More info regarding this exciting project will be released soon, and the Missal is already available!

MR. HIGGINSON DESERVES A GREAT DEAL of credit for his Mediator Dei Hymnal. It’s one of the first Catholic hymnals to include tune names, which are very important. He also chose only dignified, solid, respectable hymns—no easy task! His ingenuity is admirable, and he sometimes employed variations of excellent tunes (such as what he calls Paschal Lamb, Ave Virgo, and Victorious King) to make the melody fit the text he desired.

Finally, I’m amazed at how similar his choices are to the contents of the Pope Francis Hymn Book. After all, choosing hymns can be incredibly divisive … and sometimes brings musicians close to exchanging blows. That’s why it’s refreshing & rare to find someone whose choices are so similar!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Mediator Dei Hymnal Cyr de Brant, Roman Catholic Hymnals Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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