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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Beauty and Liturgy | Pope Saint John Paul II’s Letter to Artists

Richard J. Clark · September 12, 2014

OPE SAINT JOHN PAUL II’s Letter to Artists (1999) is an inspired document worth reading and rereading. In it he outlines the relationship between art and faith – between beauty, goodness, and truth as well as our responsibility to an “artistic vocation in the service of beauty.” (Letter of His Holiness Pope John Paul II to Artists, §3) Implications for the liturgy are unmistakable and its influence on faith incontrovertible.

      * *   Letter of His Holiness Pope John Paul II to Artists • 1999

With regard to the liturgy, Saint John Paul is clear in the relationship between beauty and truth. Through this relationship, Gregorian Chant expresses the eternal in celebration of the mass:

Gregory the Great compiled the Antiphonarium and thus laid the ground for the organic development of that most original sacred music which takes its name from him. Gregorian chant, with its inspired modulations, was to become down the centuries the music of the Church’s faith in the liturgical celebration of the sacred mysteries. The “beautiful” was thus wedded to the “true”, so that through art too souls might be lifted up from the world of the senses to the eternal. (Ibid, §7)

This is a bold statement, especially in light of St. John Paul’s strong words on Gregorian Chant, just a few years later in 2003:

12. With regard to compositions of liturgical music, I make my own the “general rule” that St Pius X formulated in these words: “The more closely a composition for church approaches in its movement, inspiration and savour the Gregorian melodic form, the more sacred and liturgical it becomes.” (Chirograph for the Centenary of Tra le sollecitudini)

St. John Paul also makes an appeal to musicians and architects. Such a profound effect architecture has upon our worship and our soul! It can be deleterious, or it can lift our minds to greater things. Architecture can remove us from present worldliness and draw us heavenward into timeless eternity. Likewise, music does the same. It can either be harmful, or sometimes worse – endlessly harmless. Or music can uplift, edify, and sanctify the soul.

I appeal especially to you, Christian artists: I wish to remind each of you that, beyond functional considerations, the close alliance that has always existed between the Gospel and art means that you are invited to use your creative intuition to enter into the heart of the mystery of the Incarnate God and at the same time into the mystery of man. (Letter of His Holiness Pope John Paul II to Artists, §14)

AINT JOHN PAUL LAYS OUT THE RESPONSIBILITY of the artist. He clearly recognizes not only the importance and “profound respect” for art, but for its necessity. It is our responsibility to seek and employ what is beautiful, and to do the best we can with what is possible. Through this beauty we praise God. Through beauty, we evangelize. Art expresses our faith, articulates our prayer, and reminds us of how we must live. Beauty lifts the faith of those around us. St. John Paul calls us to this responsibility but also gives a stern warning:

The particular vocation of individual artists decides the arena in which they serve and points as well to the tasks they must assume, the hard work they must endure and the responsibility they must accept. Artists who are conscious of all this know too that they must labour without allowing themselves to be driven by the search for empty glory or the craving for cheap popularity, and still less by the calculation of some possible profit for themselves. (Ibid, §4)

Finally, it must be understood that the simple is often beautiful. We likely do not have endless resources, financial and otherwise, to create the most beautiful sacred liturgy. We must do what is possible. The simplest of chant and inspired melody, sung well and with prayerful heart, expresses truth. One might evoke Pope Francis who calls for a Church of and for the poor. In the recognition of all human dignity, the poor especially deserve truth from which beauty emanates. The greatest beauty often comes from the least among us.

N COMPOSING THE Mass in Honor of Pope Saint John Paul II, I pray that I have lived up to some of the his words. If not, I will strive further! This mass is published with the approval for liturgical use by the Committee on Divine Worship, United States Conference of Catholic Bishops.

DOWNLOAD Complete Score (2.3 MG):
PDF • Mass in Honor of Pope Saint John Paul II (for Schola, Organ, SATB)

DOWNLOAD Unison/Organist Edition:
PDF • Mass in Honor of Pope Saint John Paul II (for Schola, Organ)

• SATB Recordings by the St. Cecilia Choir, Boston, MA, with the 1999 Smith & Gilbert Organ:

      YouTube:  Penitential Act C | Kyrie
      YouTube:  Gloria
      YouTube:  Sanctus
      YouTube:  Memorial Acclamation A
      YouTube:  Memorial Acclamation B
      YouTube:  Memorial Acclamation C
      YouTube:  Doxology, Amen
      YouTube:  Agnus Dei

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty in the Catholic Liturgy, Pope Saint John Paul II, Pope Saint John Paul IIs Letter to Artists Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

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