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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mass in Honor of Pope Saint John Paul II

Richard J. Clark · April 27, 2014

VER SINCE MY WIFE was expecting our third child, I began composing this mass setting in thanksgiving to God for my son, Sean Paul to whom it is dedicated. While composed in a chant style, each melody is reminiscent of a simple lullaby. (The Agnus Dei is perhaps the best example.) Like chant, when one sings a lullaby, one often doesn’t focus on meter and timing. The words and melody flow naturally and are fully devoted to the child. Likewise, chant is fully devoted to God flowing in much the same way. As such, this mass can even be sung effectively in three ways:

1 • Unison without accompaniment

2 • Cantor/Unison Schola and Organ

3 • SATB and Organ

• The voice-leading is designed to be simple; the accompaniment is well-suited for an organ of humble means.

• Using the 2010 English translation of The Roman Missal, Third Edition, it is published with the approval for liturgical use by the Committee on Divine Worship, United States Conference of Catholic Bishops.

DOWNLOAD Complete Score (2.3 MG):
PDF • Mass in Honor of Pope Saint John Paul II (for SATB, Schola, Organ)

DOWNLOAD Unison/Organist Edition:
PDF • Mass in Honor of Pope Saint John Paul II (for Schola, Organ)

• Recordings by the St. Cecilia Choir, Boston, MA, with the 1999 Smith & Gilbert Organ:

      YouTube:  Penitential Act C | Kyrie
      YouTube:  Gloria
      YouTube:  Sanctus
      YouTube:  Memorial Acclamation A
      YouTube:  Memorial Acclamation B
      YouTube:  Memorial Acclamation C
      YouTube:  Doxology, Amen
      YouTube:  Agnus Dei

• LISTEN and FREE DOWNLOADS of 24 bit audio here

AM ABSOLUTELY NOTHING without my wonderful volunteers and colleagues who are generous, talented, and devoted to prayer. Many thanks to Mark Donohoe, Allesandra Cionco, Jaime Korkos, Emily Lau, Michael Olbash, Peter Tetrault, Ryan Lynch, Doug McNicol, Benjamin Mead, Robert Gregory, Gillian Lynn Cotter, Ghinwa Choueiter, Heather Young, Joseph Houley, Mark Brown, Rachel Edelman, Robert Boland, Kathleen Boland, Libby Boland, Cynthia Wanner, William Brown, Chuck Olivieri, Matthew Gallup, Anna Maria Licameli, Rose Sun, Michelle Ong, Patricia Almond, Rebecca Wettemann, Patricia Driscoll, Perpetua Charles, and Timothy Edward Smith.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: congregational singing, Pope Saint John Paul II, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

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