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Views from the Choir Loft

Gregorian Chant in Star Wars

Veronica Brandt · May 17, 2014

St Michael the Archangel Chapel, Rookwood St Michael the Archangel Chapel, Rookwood Necropolis ODAY I WAS RUNNING LATE for a votive requiem Mass in the Extraordinary Form for an extraordinary man. I entered to a familiar tune, which happens to be the same as the Canticles from the Easter Vigil Mass from just a few weeks ago. The small choir finished the tract and began the sequence – Dies Irae.

I hope most readers have heard of this piece of music. It is a 13th century hymn in 18, 19 or 20 stanzas, depending how you count them. Sometimes it is sung alternating each verse between two choirs. Every second verse sounds a little like an echo as the tune is repeated.

There are three tunes and the whole pattern is sung three times like this: A A B B C C A A B B C C A A B B C then the last three sections of two lines each bringing the whole to a close.

It is dramatic, sonorous, awesome, and it’s not just the liturgical enthusiasts who think so. Tom Allen traces the influence of the opening tune on music from the Classical period right through to modern movie scores at CBC Music

He gets a few things wrong. The dove dictating to Pope St Gregory the Great is definitely figurative and Gregorian Chant is not composed by Pope Gregory but standardized from music that was already in existence, and, of course, Star Wars is not set in the future but “a long time ago in a galaxy far, far away”. Nevertheless it is a lot of fun to watch.

Now you too will be hearing Dies Irae in just about everything!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We cannot approve of the attitude of those who use the problems raised and discussed by the Council to create in themselves and in others an attitude of unrest and a desire for radical reformation, as if the Council gives every private opinion a chance to destroy the heritage of the Church. acquired during Her many centuries of history and experience.”

— Pope Paul VI (30 June 1965)

Recent Posts

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  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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