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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gregorian Chant in Star Wars

Veronica Brandt · May 17, 2014

St Michael the Archangel Chapel, Rookwood St Michael the Archangel Chapel, Rookwood Necropolis ODAY I WAS RUNNING LATE for a votive requiem Mass in the Extraordinary Form for an extraordinary man. I entered to a familiar tune, which happens to be the same as the Canticles from the Easter Vigil Mass from just a few weeks ago. The small choir finished the tract and began the sequence – Dies Irae.

I hope most readers have heard of this piece of music. It is a 13th century hymn in 18, 19 or 20 stanzas, depending how you count them. Sometimes it is sung alternating each verse between two choirs. Every second verse sounds a little like an echo as the tune is repeated.

There are three tunes and the whole pattern is sung three times like this: A A B B C C A A B B C C A A B B C then the last three sections of two lines each bringing the whole to a close.

It is dramatic, sonorous, awesome, and it’s not just the liturgical enthusiasts who think so. Tom Allen traces the influence of the opening tune on music from the Classical period right through to modern movie scores at CBC Music

He gets a few things wrong. The dove dictating to Pope St Gregory the Great is definitely figurative and Gregorian Chant is not composed by Pope Gregory but standardized from music that was already in existence, and, of course, Star Wars is not set in the future but “a long time ago in a galaxy far, far away”. Nevertheless it is a lot of fun to watch.

Now you too will be hearing Dies Irae in just about everything!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

Recent Posts

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