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Views from the Choir Loft

What Should Female Lectors Wear At Mass?

Jeff Ostrowski · July 7, 2014

293 Comic AMICE HE COLLEGE GIRLS who acted as lectors for the Newman Center in Lawrence, KS, often wore mini-skirts so revealing it seemed they weren’t wearing pants. I know this because I attended daily Mass at the St. Lawrence Center while studying at the University of Kansas. (For the record, I’m told a new priest “cleaned house” after I left in 2005.)

As a young piano student, I remember being dumbfounded by lectors dressed immodestly and asking the question: What attire should lectors wear? I was taught that women should never wear cassock and surplice.

An ALB is also out of the question, because it’s traditionally a priestly vestment. Current legislation does allow women to wear an alb, but when they do, they’re told they must also wear “a cincture and an amice,” which strikes me as absurd. 1 But here we are not considering what a women lector is allowed to wear: we are asking what they ought to wear.

I SAY AGAIN: THE ALB is traditionally a priestly vestment. The amice and cincture are, too, and have special prayers said by the priest as he puts them on. To my knowledge, there is not one shred of iconographical evidence contradicting the idea that the alb is exclusively a priestly vestment. (Here I am considering iconographical evidence from 1960 going back to the 10th century.) Liturgists in the 1980s put forward the idea that lay Christians might have worn the alb in the earliest centuries of the Church, but selectively “plucking” a vague idea from that time period seems fraught with problems, since we have so little concrete evidence.

Pick up a copy of the Jogues Missal to see how this issue was addressed:

      * *  Jogues Illuminated Missal — A Pew Book for the Ordinary Form


Which of these possible solutions do you prefer?

            298 Lady Lector         301 Lector Woman

The blue cassocks are used for ladies at the Lateran Basilica in Rome.


UPDATE :

Some people have been quoting St. Paul in who said women should be quiet and never speak in Church (I Corinthians 14:34). I’m not sure how that quote should be interpreted in modern times. For example, Pope Pius XII encouraged women to speak in Church (the so-called “Dialogue” Mass), and the 1962 Missale Romanum allows women to make the responses if no male server is present. Furthermore, nuns inside convents have been “speaking” and singing in Church for centuries. But which of us would accuse Pope Pius XII of being ignorant of St. Paul?

However, St. Paul’s quote reminds us to guard against Bugnini’s idea of picking and choosing from a “pristine” age of the Church (while denigrating the organic development that took place through the centuries). Bugnini was either confused or dishonest about what he was doing when he declared: “Here in the Consilium we are not working for museums and archives, but for the spiritual life of the people of God.” Some people have suggested the worst example of Bugnini’s antiquarianism was the “restoration” of the Responsorial Psalm. It’s true that Pope Leo and St. Augustine alluded to something akin to the Responsorial Psalm, but we have absolutely no idea what it actually looked like or sounded like in the 4th century. In fact, I’ll give 10 million dollars to anyone who can show me just one musical score of an “original” Responsorial Psalm from the 5th century.



NOTES FROM THIS ARTICLE:

1   General Instruction of the Roman Missal — §119

In the sacristy, according to the various forms of celebration, there should be prepared the sacred vestments (cf. nos. 337-341) for the Priest, the Deacon, and other ministers:
a) for the Priest: the alb, the stole, and the chasuble;
b) for the Deacon: the alb, the stole, and the dalmatic; the latter may be omitted, however, either out of necessity or on account of a lesser degree of solemnity;
c) for the other ministers: albs or other lawfully approved attire. All who wear an alb should use a cincture and an amice unless, due to the form of the alb, they are not needed.

General Instruction of the Roman Missal — §339

In the Dioceses of the United States of America, acolytes, altar servers, readers, and other lay ministers may wear the alb or other appropriate and dignified clothing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

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