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Views from the Choir Loft

Dan Schutte’s “Missa My Little Pony” (2nd Part)

Jeff Ostrowski · August 27, 2014

916 Dan Schutte Mass PDF N FEBRUARY, I asked if anyone else was uncomfortable with Dan Schutte’s “Mass of Christ the Savior” (2010)—which appears to be written in a secular style. 1 Here’s a brief recording showing Schutte’s melody (taken from YouTube) against the My Little Pony theme:

      * *  Missa “My Little Pony” — Mp3 (0:29)

My original article was shared on Facebook 4,000 times, generated a surprising amount of hate mail, and was discussed on several radio shows.

A number of commenters said Schutte’s melody didn’t resemble the Pony theme. This assertion seems to have irritated one of my former students, who recently sent me a recording mixing both melodies:

      * *  Mp3 Audio File — Schutte’s Mass of Christ the Savior mixed w/ Pony Theme

Some might object to mixing the Sacred Mass texts with a secular Pony Song.

I agree … AND THAT IS PRECISELY MY POINT.

Having suffered greatly as a child due to trite & banal Church music, this is a subject I take very, very seriously.

I DO NOT SUPPORT THE USE of secular musical styles during Mass. We’ve discussed this many times on this blog (e.g. here). I’ve also subtly included this in the fourth item of “Five Questions No Liturgist Can Answer” (URL). Leaving aside the question of musical style for a moment, many wonder how this Mass received USCCB approval, since it mangles the official text. My short answer would be: “I haven’t the faintest idea.”

If you’re seeking alternatives to the Schutte Mass, you might want to look at some of these settings, which were composed in a more Sacred style.



NOTES FROM THIS ARTICLE:

1   The priest who discovered this Schutte/Pony similarity is currently Liturgy Director for a major Archdiocese in the United States. It was sent to me via email “chain letter.” Until I got his email, I had never heard Schutte’s Mass setting.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dan Schutte Mass of Christ the Savior, Missa My Little Pony, Oregon Catholic Press Last Updated: October 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

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“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
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  • “Yahweh” in church songs?
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