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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Which Way Does Your Priest Face For The Prayer After Communion?

Jeff Ostrowski · September 27, 2013

365 Paul VI Pope Paul VI in India E HAVE EXAMINED the rubrics of the Ordinary Form here and here, and we saw that the current Missal assumes priest and people will be facing the same direction during the Liturgy of the Eucharist.

However, there appears to be a discrepancy in the Rubrics … no great surprise, since the current Missal was put together with haste, and even the Vatican dicastery had to apologize for all the errors and typos contained in those early 1970s directives. The discrepancy has to do with the direction the priest must face to read the Prayer after Communion.

AS BISHOP PETER J. ELLIOTT has pointed out (Ceremonies of the Modern Roman Rite, §350), “The celebrant may choose to say the Prayer after Communion and impart the final blessing at the altar.” The rubrics do indeed allow this, but they seem to imply that the Prayer after Communion be read facing the people:

The 2011 GIRM says:

165. Deinde, stans ad sedem vel ad altare, sacerdos, versus ad populum, dicit, manibus iunctis: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

166. Expleta oratione post Communionem, fiant, si habendæ sunt, breves annuntiationes ad populum.

167. Deinde sacerdos, extendens manus, salutat populum, dicens: Dóminus vobíscum, cui respondetur a populo: Et cum spíritu tuo. Et sacerdos, manus denuo coniungens, et statim, manum sinistram super pectus ponens et manum dexteram elevans, subdit: Benedícat vos omnípotens Deus et, signum crucis super populum faciens, prosequitur: Pater, et Fílius, + et Spíritus Sanctus. Omnes respondent: Amen.

165. Then, standing at the chair or at the altar, and facing the people with hands joined, the Priest says, Let us pray; then, with hands extended, he recites the Prayer after Communion. A brief period of silence may precede the prayer, unless this has been already observed immediately after Communion. At the end of the prayer the people acclaim, Amen.

166. When the Prayer after Communion is concluded, brief announcements should be made to the people, if there are any.

167. Then the Priest, extending his hands, greets the people, saying, The Lord be with you. They reply, And with your spirit. The Priest, joining his hands again and then immediately placing his left hand on his breast, raises his right hand and adds, May almighty God bless you and, as he makes the Sign of the Cross over the people, he continues, the Father, and the Son, + and the Holy Spirit. All reply, Amen.

Roman Missal, Third Edition says:

139. Deinde, stans ad altare vel ad sedem, sacerdos, versus ad populum, iunctis manibus, dicit: Oremus. Et omnes una cum sacerdote per aliquod temporis spatium in silentio orant, nisi silentium iam praecesserit. Deinde sacerdos, manibus extensis, dicit orationem post Communionem. Populus in fine acclamat: Amen.

140. Sequuntur, si necessariae sint, breves annuntiationes ad populum.

141. Deinde fit dimissio. Sacerdos, versus ad populum, extendens manus, dicit: Dominus vobiscum. Populus respondet: Et cum spiritu tuo. Sacerdos benedicit populum, dicens: Benedicat vos omnipotens Deus, Pater, et Filius, + et Spiritus Sanctus. Populus respondet: Amen.

139. Then, standing at the altar or at the chair and facing the people, with hands joined, the Priest says: Let us pray. All pray in silence with the Priest for a while, unless silence has just been observed. The the Priest, with hands extended, says the Prayer after Communion, at the end of which the people acclaim: Amen.

140. If they are necessary, any brief announcements to the people follow here.

141. Then the dismissal takes place. The Priest, facing the people and extending his hands, says: The Lord be with you. The people respond: And with your spirit. The Priest blesses the people saying: May almighty God bless you, the Father, and the Son, + and the Holy Spirit. The people reply: Amen.

I FEEL THE RUBRICS HERE are not precise. First of all, why should the rubrics say again to face the people for the blessing if the priest is already facing the people (see above)?

It is true that the 1969 GIRM says:

122. Postea, stans ad sedem vel ad altare, sacerdos versus ad populum, dicit: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

122. Then, standing at the altar or at the chair and facing the people, the priest says, with hands outstretched: “Let us pray.” There may be a brief period of silence, unless this has been already observed immediately after communion. He recites the prayer after communion, at the end of which the people make the response: “Amen.”

However, if you click here, you’ll see that the 1970 Missale Romanum (“Ordo Missæ cum populo”) omits the injunction to face the people. All it says is:

Deinde, stans ad sedem vel ad altare, sacerdos dicit:

Then, when it’s time for the final blessing, the 1970s rubrics say:

Sacerdos, versus ad populum, extendens manus, dicit:

How can we understand this discrepancy? My guess is, they wanted the priest to face the people when he says “Orémus.” Then, he ought to turn around to read the Prayer after Communion, because it would be strange to have a server hold the Missal on the altar steps. Then, when it’s time for the final blessing, the priest once more turns around. (If you think this is a lot of turning around, you should see a Low Mass according to the 1962 Missal at this point).

Finally, remember that the Missal rubrics don’t always explicitly tell the priest to “turn toward the altar.” For instance, the rubrics omit this when it’s time for the priest to kiss the altar: it’s common sense that he needs to turn around for this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
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    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

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