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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Exodus and the Chair of Saint Peter

Richard J. Clark · February 22, 2013

OPE BENEDICT XVI states: “The Chair represents (the pope’s) mission as guide of the entire People of God. Celebrating the ‘Chair’ of Peter means attributing a strong spiritual significance to it and recognizing it as a privileged sign of the love of God.”

I am fortunate to be just old enough to remember the conclave that elected Pope John Paul I in late August of 1978. When Albino Luciani first appeared on St. Peter’s Benediction Loggia (balcony) as Pope John Paul I, I will never forget his beautifully radiant smile. This happy memory is etched in my mind and one that I still hold dear. It was big news in 1978 that he took two names – names that represented the continuity of the apostolic succession – names that sent a message that Vatican II was bigger than he was. Taking the names of his two predecessors demonstrated his understanding of his place in history and his role as servant of the Church.

Yet, his death thirty-three days later was big news even among fourth graders at St. William the Abbott School in Seaford, New York. We talked about this first thing in the morning as we waited in line in the hallway. The benevolent smile that captured me was gone. But his choice of names was perhaps a great gift for a generation to come.

Another distant memory is that of the young and energetic John Paul II. My sisters and I were fortunate to see him at Shea Stadium in Queens, NY in 1979. (Thus uniting my two great loves: baseball and the Church—not necessarily in that order) We waited for hours in torrential rain, and we didn’t care. Even as children, we appreciated that this experience was once in a lifetime. The young Pope John Paul II was electric. This John Paul shocked the world with his extensive travel schedule, a ministry of presence to the worldwide flock, unheard of for a pontiff then, and something we take for granted now.

Today, on the Feast of the Chair of St. Peter the Apostle, the demands and scrutiny of the papacy are as great or greater than that of a head of state. Additionally, the heaviest burden and most grave responsibility of the papacy is to reform the Church from within of the great evils of sexual abuse of children. For over a decade, we watched this up close in Boston where this evil first played out for the world. Every parish was affected in various ways almost immediately. His Eminence Seán Patrick Cardinal O’Malley has faithfully and thanklessly navigated waters no one would ever wish to travel.

Quite interestingly, in 2010 John Allen described on both NPR and in the New York Times Opinion Page what he called the “Papal Conversion” of Cardinal Ratzinger in 2001 that lead to proactive reforms as Pope. “…after 2001, when he actually had to sit down and read all the case files for every Catholic priest, everyone in the world who had credibly been accused of sexual abuse, he began to talk much more openly about what he described as filth in the Catholic Church and became much more aggressive about prosecuting abusers. And that has followed into…his papacy, where we see him as the first pope to embrace a zero-tolerance policy on sex abuse, the first pope to meet with victims, the first pope to, in effect, break the Vatican’s wall of silence on this issue.” But the pain persists. Such vigilance and self-reform must now be part of every papacy moving forward.

In a few days, Pope Benedict XVI leaves the Chair to enter into his own personal wilderness to pray. This, in turn, leaves the faithful in the wilderness for a short time. In his book The Spirit of the Liturgy, Pope Benedict reminds us that Israel’s flight from Egypt had two distinct goals. The obvious goal was to reach the Promised Land. But the second is perhaps far more important: Exodus 7:16 “Let my people go, that they may serve me.” It is there in the wilderness that Israel learns to serve and worship God in the way He desires. It is in their wandering that they learn righteousness, i.e., true worship of God. It is in the wilderness, outside of the Promised Land, where the people of Israel establish their covenant with God.

In Israel’s exodus from Egypt and search for freedom, they truly discovered their right relationship with God. “Only when man is in covenant with God does he become free” (The Spirit of the Liturgy) Pope Benedict also writes, “…it is important to see that the covenant is a relationship: God’s gift of himself to man, but also man’s response to God…is love, and loving God means worshipping Him.” (ibid.)

Finally, perhaps Pope Benedict’s lasting legacy may be his contributions to liturgy and music. His 2007 Apostolic Letter Summorum Pontificum on the celebration of the Roman Rite according to the Missal of 1962, has fostered widespread implementation of the Extraordinary Form. The exquisitely beautiful St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass is among the great fruits of this Apostolic Letter. This hymnal and missal is a faithful response to serve the Church.

As such, to many musicians Pope Benedict XVI is a hero. Music may seem trivial and ancillary in light of the Church’s troubles. Music may seem unimportant next to feeding the poor and preaching the Word. Feeding the poor and hungry is undoubtedly more important than singing even the most beautiful work of sacred music. God is at the center of this important work, which is sustained and energized by prayer. Lex Orandi, Lex Credendi, and Lex Vivendi reminds us if we believe what we pray, we must respond to God’s call by that way that we live. Music is prayer. Music helps preach the Word. Music is evangelization and strengthens our communities. Most of all prayer strengthens our resolve to serve God and to minister unto His people.

The mass, our greatest prayer, is a sung prayer. Pope Benedict’s gift is teaching us how better to pray—not by edict, or by decree, but through loving example of the Church’s music that grew up with the Roman Rite and lives with us today.

As Pope Benedict enters into his new life, let us enter for a time into the wilderness as well. There we will learn true freedom—to love and worship God. From this prayer we will learn to live in right relationship with each other and with the God who knows our needs better than we do, who knows every hair on our head, who knows when we sit and when we rise.

“The glory of God is the living man, but the life of man is the vision of God.” St. Irenaeus (cf. Adv. Haer. 4, 20, 7)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

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