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Corpus Christi Watershed

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · November 30, 2021

Fauré Requiem Mass • Saint Paul’s Choir School 

A popular work often performed in concert, when sung within Mass, it offers boundless transcendence.

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Richard J. Clark · November 26, 2021

From the Bell Tower

Boston Cathedral Singers’ “From the Bell Tower” on “Sounds from the Spires”

PODCAST! — The Boston Cathedral Singers’ album From the Bell Tower was featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel.

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Richard J. Clark · November 5, 2021

From the Bell Tower

From the Bell Tower – Boston Cathedral Singers Release First Album

Four singers at the Cathedral of the Holy Cross sought artistic refuge in the Cathedral bell tower where its bells toll each day. The new album features new music by Kevin Allen and Richard J. Clark

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Richard J. Clark · September 3, 2021

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

A Call to Publishers and Editors of Roman Catholic Hymnals

Adherence to Roman Catholic doctrine in song is hardly unreasonable. It is imperative. It is the right thing to do.

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Richard J. Clark · August 2, 2021

Michael Olbash on Sounds from the Spires

Olbash holds the distinction of being the Director of Music of two seminaries: Saint John’s Seminary, Boston, and Pope Saint John XXIII National Seminary in Weston, Massachusetts.

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Richard J. Clark · July 9, 2021

Four Eucharistic Motets for the Year of the Eucharist

Forced abstinence from the Eucharist in 2020 heightened for many the appreciation of the sacraments that one can take for granted.

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Richard J. Clark · May 14, 2021

Podcast: James Kennerley: Sacred Music in Education, the Church and the World

Maestro Kennerley underscores the myriad salutary benefits of music education for children and that of a community that sings together.

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Richard J. Clark · January 18, 2021

Landmark Documentary on the Renewal of Sacred Music

A documentary on the work of Paul Jerberg — one of the most important voices on sacred music in the Church today

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Richard J. Clark · December 20, 2020

Announcement of Easter & the Movable Feasts • 2021 • English & Spanish

The following free downloads in English and Spanish contain dates for 2021 in the score.

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Richard J. Clark · December 15, 2020

Saint Paul’s Choir School Presents “Starry Night: Christmas in Harvard Square”

A beacon of light in a dark time, the Saint Paul’s Choir of Men and Boys presents “Starry Night: Christmas in Harvard Square”

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Richard J. Clark · December 11, 2020

Safety in Music is a Pro-Life Issue

Updated music protocols in the Archdiocese of Boston include multiple layers of protection: masks, ventilation, distance, time.

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Richard J. Clark · October 16, 2020

Indispensable & Accessible: Fr. Samuel F. Weber Propers in English

Indispensable and accessible: these antiphons possess sublime elegance that grace the Novus Ordo Mass with simple, yet proper reverence and solemnity.

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Richard J. Clark · September 8, 2020

(Installment #7) “Catholic Hymnals” • Richard J. Clark

“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!

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Richard J. Clark · August 7, 2020

Year of the Eucharist • Solemn Vespers with Exposition and Benediction

Solemn Vespers with Exposition and Benediction during the “Year of the Eucharist”

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Richard J. Clark · July 10, 2020

The Illusion of Permanence — an Exercise in Humility

There is an illusion of permanence in the Church. We are changing often and changing right now.

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Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski

Quick Thoughts

    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

  • Two Ways to Defile a Hymn • (And How Not To)
  • “Reader Feedback” • 22 June 2026
  • These Photographs Are Utterly Astounding !
  • Public Criticism of Jeff Ostrowski’s Singing Voice • Also: “Dich König loben wir”
  • Oldest Latin Eucharistic Hymn

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