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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · November 5, 2021

From the Bell Tower

From the Bell Tower – Boston Cathedral Singers Release First Album

Four singers at the Cathedral of the Holy Cross sought artistic refuge in the Cathedral bell tower where its bells toll each day. The new album features new music by Kevin Allen and Richard J. Clark

Richard J. Clark · September 3, 2021

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

A Call to Publishers and Editors of Roman Catholic Hymnals

Adherence to Roman Catholic doctrine in song is hardly unreasonable. It is imperative. It is the right thing to do.

Richard J. Clark · August 2, 2021

Michael Olbash on Sounds from the Spires

Olbash holds the distinction of being the Director of Music of two seminaries: Saint John’s Seminary, Boston, and Pope Saint John XXIII National Seminary in Weston, Massachusetts.

Richard J. Clark · July 9, 2021

Four Eucharistic Motets for the Year of the Eucharist

Forced abstinence from the Eucharist in 2020 heightened for many the appreciation of the sacraments that one can take for granted.

Richard J. Clark · May 14, 2021

Podcast: James Kennerley: Sacred Music in Education, the Church and the World

Maestro Kennerley underscores the myriad salutary benefits of music education for children and that of a community that sings together.

Richard J. Clark · January 18, 2021

Landmark Documentary on the Renewal of Sacred Music

A documentary on the work of Paul Jerberg — one of the most important voices on sacred music in the Church today

Richard J. Clark · December 20, 2020

Announcement of Easter & the Movable Feasts • 2021 • English & Spanish

The following free downloads in English and Spanish contain dates for 2021 in the score.

Richard J. Clark · December 15, 2020

Saint Paul’s Choir School Presents “Starry Night: Christmas in Harvard Square”

A beacon of light in a dark time, the Saint Paul’s Choir of Men and Boys presents “Starry Night: Christmas in Harvard Square”

Richard J. Clark · December 11, 2020

Safety in Music is a Pro-Life Issue

Updated music protocols in the Archdiocese of Boston include multiple layers of protection: masks, ventilation, distance, time.

Richard J. Clark · October 16, 2020

Indispensable & Accessible: Fr. Samuel F. Weber Propers in English

Indispensable and accessible: these antiphons possess sublime elegance that grace the Novus Ordo Mass with simple, yet proper reverence and solemnity.

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Richard J. Clark · September 8, 2020

(Installment #7) “Catholic Hymnals” • Richard J. Clark

“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!

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Richard J. Clark · August 7, 2020

Year of the Eucharist • Solemn Vespers with Exposition and Benediction

Solemn Vespers with Exposition and Benediction during the “Year of the Eucharist”

Richard J. Clark · July 10, 2020

The Illusion of Permanence — an Exercise in Humility

There is an illusion of permanence in the Church. We are changing often and changing right now.

Richard J. Clark · June 26, 2020

Best Practices with Current Restrictions • New Resource from Detroit

Best practices and a new antiphon project from the Archdiocese of Detroit

Richard J. Clark · June 19, 2020

Silence and The Thoughts of His Heart

Our souls are hurting and in crisis. I have no words.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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