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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 31, 2014

All Souls — gave hope to me, too.

Do not miss the opportunities of All Souls Day, especially as it falls on a Sunday.

Richard J. Clark · October 24, 2014

Letter on Sacred Music to Parishioners

An article that may serve to guide those of us searching for the words to speak to our parishioners, choir members, and also clergy.

Richard J. Clark · October 22, 2014

Feast of Saint John Paul II

See today’s Collect: Saint John Paul II leads us to Christ.

Richard J. Clark · October 17, 2014

The Death of a Parish | A Promise of New Life?

One of the most painful spiritual experiences many Catholics suffer is the closure of their parish.

Richard J. Clark · October 10, 2014

Andrew Leung | Sacred Musician

There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

Richard J. Clark · October 3, 2014

Organists: Know Thy Sheep!

To what extent does the pipe organ’s inclusion as a worship component influence
the quality of your worship experience?

Richard J. Clark · September 26, 2014

Good Cop, Bad Cop

What takes lasting root in liturgy are the things we discover for ourselves.

Richard J. Clark · September 19, 2014

Many Questions | Pope Saint John Paul II’s Letter to Artists (Part 2)

Saint John Paul stated: “The ‘beautiful’ was thus wedded to the ‘true’”. Is there a standard for what is beautiful?

Richard J. Clark · September 12, 2014

Beauty and Liturgy | Pope Saint John Paul II’s Letter to Artists

Saint John Paul calls artists to a great responsibility–but also gives a warning.

Richard J. Clark · September 5, 2014

Leadership, Authority, and the Power of Encouragement

“Leave it to the ignorant and stupid who judge by counting only the faults. I can be grateful, and so must you be, for even one note, one wonderful phrase.” — Pablo Casals

Richard J. Clark · August 22, 2014

The Art of Negotiation in Liturgy

Progress is never made by making declarations or quoting the Liturgy Documents. It doesn’t work and never will. So what will?

Richard J. Clark · August 15, 2014

The Paradox of Liturgical Reform Amidst Human Suffering

Following the rubrics or enacting the GIRM is not the ends. It is a means towards which we find immediacy with God in prayer and therefore healing for humanity.

Richard J. Clark · August 8, 2014

Important Resources for Liturgical Reform (1 of 7)

Some mainstream resources are geared towards maximizing market share; there are a number of others, perhaps lesser known that have the words of St. Pius X and “Sacrosanctum Concilium” in mind.

Richard J. Clark · August 1, 2014

The Necessity of Interior Prayer for Directors, Composers, and Publishers

Are we bringing forth treasures? Are we cultivating these treasures or do we leave them in the back of the storeroom?

Richard J. Clark · July 25, 2014

“The Celebration of the Liturgy is the most important act of evangelization.”

“Easy feelings and superficial affections do not, in the long run nourish the life of the believer; we need solid food of the word of God and the Eucharist, which have been from the beginning the only solid and substantial nourishment of the Christian.” — Goffredo Boselli

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”
  • “Music List” • 23rd in Ordinary Time (Year C)

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