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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · November 14, 2014

I’m not here to make you or me happy. | Music as a Virtue

It is not the point of sacred music to make individuals or even the Music Director happy.

Richard J. Clark · November 7, 2014

Can’t sing? Sing the dialogues!

Reverence, prayer, and internal participation increased through this act of external participation.

Richard J. Clark · October 31, 2014

All Souls — gave hope to me, too.

Do not miss the opportunities of All Souls Day, especially as it falls on a Sunday.

Richard J. Clark · October 24, 2014

Letter on Sacred Music to Parishioners

An article that may serve to guide those of us searching for the words to speak to our parishioners, choir members, and also clergy.

Richard J. Clark · October 22, 2014

Feast of Saint John Paul II

See today’s Collect: Saint John Paul II leads us to Christ.

Richard J. Clark · October 17, 2014

The Death of a Parish | A Promise of New Life?

One of the most painful spiritual experiences many Catholics suffer is the closure of their parish.

Richard J. Clark · October 10, 2014

Andrew Leung | Sacred Musician

There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

Richard J. Clark · October 3, 2014

Organists: Know Thy Sheep!

To what extent does the pipe organ’s inclusion as a worship component influence
the quality of your worship experience?

Richard J. Clark · September 26, 2014

Good Cop, Bad Cop

What takes lasting root in liturgy are the things we discover for ourselves.

Richard J. Clark · September 19, 2014

Many Questions | Pope Saint John Paul II’s Letter to Artists (Part 2)

Saint John Paul stated: “The ‘beautiful’ was thus wedded to the ‘true’”. Is there a standard for what is beautiful?

Richard J. Clark · September 12, 2014

Beauty and Liturgy | Pope Saint John Paul II’s Letter to Artists

Saint John Paul calls artists to a great responsibility–but also gives a warning.

Richard J. Clark · September 5, 2014

Leadership, Authority, and the Power of Encouragement

“Leave it to the ignorant and stupid who judge by counting only the faults. I can be grateful, and so must you be, for even one note, one wonderful phrase.” — Pablo Casals

Richard J. Clark · August 22, 2014

The Art of Negotiation in Liturgy

Progress is never made by making declarations or quoting the Liturgy Documents. It doesn’t work and never will. So what will?

Richard J. Clark · August 15, 2014

The Paradox of Liturgical Reform Amidst Human Suffering

Following the rubrics or enacting the GIRM is not the ends. It is a means towards which we find immediacy with God in prayer and therefore healing for humanity.

Richard J. Clark · August 8, 2014

Important Resources for Liturgical Reform (1 of 7)

Some mainstream resources are geared towards maximizing market share; there are a number of others, perhaps lesser known that have the words of St. Pius X and “Sacrosanctum Concilium” in mind.

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Last Fall, however, the bishop of Augsburg in West Germany, the Most Rev. Josef Stimpfle, ordered all parishes in his diocese to have a Latin High Mass at least once a month. This policy drew a letter of warm commendation from the apostolic nuncio to West Germany, Archbishop Guido del Mestri, who termed the decree “exemplary” and added, “The way chosen by you is one desired by the whole Church.”

— Latin Liturgy Association “Newsletter” (September 1980)

Recent Posts

  • Veni Emmanuel: An Argument for the Anglican Rhythm
  • PDF Download • “Hymn for Christ the King”
  • “Music List” • Christ the King Sunday
  • PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)
  • “Simplified” Keyboard Accompaniment (PDF)

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