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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · May 21, 2019

Further Thoughts on Westminster Cathedral

I am reminded of the care with which the Pieta was transported from the Vatican to New York City for the World’s Fair in 1964 and I hope and pray that the Westminster Cathedral Choir will be treated with as much veneration and respect.

Dr. Lucas Tappan · May 7, 2019

To: Headmaster of Westminster Cathedral Choir School

Like the great Cathedral of Notre Dame, this daily musical offering belongs not only to the Church in London and the British Isles, but to the universal Church.

Dr. Lucas Tappan · April 30, 2019

A Reason To Hope

We need to remember how small the amount of yeast is that is needed to leaven the dough.

Dr. Lucas Tappan · February 27, 2019

Strive for Greatness!

Stop trying to make everything easy, and therefore unimportant.

Dr. Lucas Tappan · February 12, 2019

The Cantor and Congregational Singing

I wonder if we haven’t lost sight of the cantor’s original purpose of fostering congregational singing…

Dr. Lucas Tappan · November 27, 2018

Millennials and Authenticity

But what do we mean by authenticity?

Dr. Lucas Tappan · November 13, 2018

Incredible Advent/Christmas Resource for Families

Download this incredible resource for families who wish to live the liturgical life more deeply with the home.

Dr. Lucas Tappan · November 7, 2018

Chorister Catechesis

Be mindful of the immense power that you as a choir director having in orienting your choristers toward Heaven.

Dr. Lucas Tappan · October 30, 2018

A Refresher on Chorister Training

There are three areas that are especially helpful to be competent in when working with children.

Dr. Lucas Tappan · October 25, 2018

Leeds Cathedral and the Schools Singing Program

In addition to great choir schools at our cathedrals, the Church needs grass roots programs like this throughout our parishes.

Dr. Lucas Tappan · September 13, 2018

The Problem with the Universal Prayer of the Church

Young people today aren’t yearning for the ancient expressions of the Church’s liturgical life merely due to a distorted view of a supposedly golden former age…

Dr. Lucas Tappan · August 31, 2018

New Catholic Choral School…in Detroit!

“Qui bene cantat bis orat!”

Dr. Lucas Tappan · August 7, 2018

Precious in the Eyes of the Lord is the Death of His Faithful One

We have all encountered these moments that sustain us along our pilgrim way and I assume the same could be said of all the Holy Martyrs.

Dr. Lucas Tappan · July 20, 2018

A Model for Parish Revitalization (Ordinary Form)

“Being Evangelical Catholics requires that we know the Gospel, believe the Gospel, live the Gospel, and share the Gospel with others—and this begins and ends for us in the sacred liturgy…”

Dr. Lucas Tappan · July 11, 2018

The Sung Canon

Since the Canon cannot be recited “silently” in the Ordinary Form, I wonder if chanting it might be one answer to the lack of transcendence we often encounter within Mass.

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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