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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · May 7, 2019

To: Headmaster of Westminster Cathedral Choir School

Like the great Cathedral of Notre Dame, this daily musical offering belongs not only to the Church in London and the British Isles, but to the universal Church.

Dr. Lucas Tappan · April 30, 2019

A Reason To Hope

We need to remember how small the amount of yeast is that is needed to leaven the dough.

Dr. Lucas Tappan · February 27, 2019

Strive for Greatness!

Stop trying to make everything easy, and therefore unimportant.

Dr. Lucas Tappan · February 12, 2019

The Cantor and Congregational Singing

I wonder if we haven’t lost sight of the cantor’s original purpose of fostering congregational singing…

Dr. Lucas Tappan · November 27, 2018

Millennials and Authenticity

But what do we mean by authenticity?

Dr. Lucas Tappan · November 13, 2018

Incredible Advent/Christmas Resource for Families

Download this incredible resource for families who wish to live the liturgical life more deeply with the home.

Dr. Lucas Tappan · November 7, 2018

Chorister Catechesis

Be mindful of the immense power that you as a choir director having in orienting your choristers toward Heaven.

Dr. Lucas Tappan · October 30, 2018

A Refresher on Chorister Training

There are three areas that are especially helpful to be competent in when working with children.

Dr. Lucas Tappan · October 25, 2018

Leeds Cathedral and the Schools Singing Program

In addition to great choir schools at our cathedrals, the Church needs grass roots programs like this throughout our parishes.

Dr. Lucas Tappan · September 13, 2018

The Problem with the Universal Prayer of the Church

Young people today aren’t yearning for the ancient expressions of the Church’s liturgical life merely due to a distorted view of a supposedly golden former age…

Dr. Lucas Tappan · August 31, 2018

New Catholic Choral School…in Detroit!

“Qui bene cantat bis orat!”

Dr. Lucas Tappan · August 7, 2018

Precious in the Eyes of the Lord is the Death of His Faithful One

We have all encountered these moments that sustain us along our pilgrim way and I assume the same could be said of all the Holy Martyrs.

Dr. Lucas Tappan · July 20, 2018

A Model for Parish Revitalization (Ordinary Form)

“Being Evangelical Catholics requires that we know the Gospel, believe the Gospel, live the Gospel, and share the Gospel with others—and this begins and ends for us in the sacred liturgy…”

Dr. Lucas Tappan · July 11, 2018

The Sung Canon

Since the Canon cannot be recited “silently” in the Ordinary Form, I wonder if chanting it might be one answer to the lack of transcendence we often encounter within Mass.

Dr. Lucas Tappan · July 3, 2018

Impressions from Sacred Music Colloquium 2018

I thought today I would share with readers some of my impressions of the wonderful events that took place.

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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