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Corpus Christi Watershed

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 13, 2025

PDF Download • “Entrance Chant” for the Fifth Sunday of Easter

I’m not a bishop. I’m not even a priest. I’m a husband & father who just wants to make it to heaven.

Jeff Ostrowski · May 12, 2025

“Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)

“When the Vatican Edition began coming off the press in 1905, its strongest supporters did not expect it to last until 1960…” —Mons. Schmitt

Jeff Ostrowski · May 10, 2025

“Music List” • 4th Sunday of Easter (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · May 8, 2025

Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”

Allegedly, the source of this information “had the only indult to say the TLM at the USCCB office in Baltimore back in the 1990s.”

Jeff Ostrowski · May 8, 2025

“Entrance Chant” • 4th Sunday of Easter

This “Entrance Chant” is used during liturgical years A, B, and C.

Jeff Ostrowski · May 6, 2025

Music List • “Repertoire for Weddings”

When couples are getting married, they often request musical guidance.

Jeff Ostrowski · May 6, 2025

Beginning a Men’s Schola

I feel like we have a great start…

Jeff Ostrowski · May 5, 2025

“Basic Catechism of Gregorian Chant” • Fifteen Questions Answered

“Kids, you’re only on this floating rock for a very short time.”

Jeff Ostrowski · May 5, 2025

“Reminder” — Month of May (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · May 4, 2025

“Music List” • 3rd Sunday of Easter (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · May 2, 2025

Communion (3rd Sunday of Easter)

This piece is sung by either all men or all women.

Jeff Ostrowski · April 29, 2025

“Entrance Chant” • 3rd Sunday of Easter

This “Entrance Chant” is used during liturgical years A, B, and C.

Jeff Ostrowski · April 27, 2025

“Simple English Propers” • Error this Sunday?

Did the good of the Church “genuinely and certainly” require this confusing change in 1970?

Jeff Ostrowski · April 26, 2025

PDF Download • “Extremely Rare” — German Organ Accompaniment for Hymnal (158 pages)

This year, we did something unusual.

Jeff Ostrowski · April 23, 2025

“Reminder” — Month of April (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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