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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 10, 2017

Musical Resources • 4th Sunday after Easter (1962)

“…He shall not speak of Himself; but what things soever He shall hear, He shall speak…”

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Jeff Ostrowski · May 9, 2017

Guerrero’s Gloria from “Missa Iste Sanctus”

Why Do We Produce Rehearsal Videos? And what made more than 600 people show up for Santa Barbara’s first Latin Mass in fifty years?

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Jeff Ostrowski · May 4, 2017

Fulton J. Sheen • World’s Most Progressive Bishop?

Sheen replied: “Mr. President, I’m not the least bit impressed with your source.”

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Jeff Ostrowski · April 30, 2017

Justice Antonin Scalia on Church Music

“I would go there Sunday morning and sing Palestrina, William Byrd, Mozart…this magnificent choral music.”

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Jeff Ostrowski · April 25, 2017

Brace Yourself • “Raw” Recordings from Solemn Mass

There’s something remarkable about instances where the people involved don’t realize a recording is being made.

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Jeff Ostrowski · April 23, 2017

PDF Download • “Compline for Sunday”

My ignorance vis–à–vis the 1962 Breviary will astound you…

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Jeff Ostrowski · April 21, 2017

Musical Resources • “Quasimodo Sunday”

“Receive ye the Holy Ghost; whose sins you shall forgive, they are forgiven them, and whose sins you shall retain, they are retained.”

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Jeff Ostrowski · April 21, 2017

Nine Questions About The Latin Mass You Were Too Embarrassed To Ask

When I first attended the Traditional Mass, I hated it.

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Jeff Ostrowski · April 17, 2017

PDF Download • Last Minute Holy Saturday File

“The use of Psalm 150 is a change from the experimental Easter Vigil (1951-1955) in which Psalm 116 was used for Lauds.” —Msgr. McManus

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Jeff Ostrowski · April 15, 2017

“Reproaches” for Good Friday (Recording)

The indispensable “Musician’s Guide to Good Friday,” including a 50-page PDF and rehearsal videos!

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Jeff Ostrowski · April 13, 2017

Do these Holy Thursday rubrics strike you as odd?

I haven’t studied the situation enough to know with certainty.

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Jeff Ostrowski · April 12, 2017

“Contemporary” Catholic Music • Is it truly dead?

Today we announce a special guest who will be present at the Sacred Music Symposium!

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Jeff Ostrowski · April 12, 2017

Musical Resources • Holy Thursday (EF)

“O God, from Whom Judas received the punishment of his crime, and the thief the reward of his confession…”

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Jeff Ostrowski · April 10, 2017

PDF Download • Booklet for Congregation

May I share a secret?

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Jeff Ostrowski · April 10, 2017

Accompaniment: “Credo III” (Parochial Hymnal)

Easiest organ accompaniment to Credo III ever penned.

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Corpus Christi Watershed

President’s Corner

    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski
    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address is listed at the bottom of each page. UPDATE: The answer has been revealed as of 8 June 2026.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

Recent Posts

  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL
  • “Should the People Sing in Parts?” • Weighing the Case for SATB Hymnals in the Pews
  • Revealed • “Answer to the Riddle”
  • Music List • “Corpus Christi” (Year A)

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