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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Guest Author

Guest Author · April 13, 2023

Gregorian Rhythm Wars • “The Hidden Dactyl”

“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona

Guest Author · October 21, 2020

Heresy du Jour? • (Orig. Published in 2019)

In the early XIXth century the Duke of Wellington, speaking of infantry battles, is said to have exclaimed, “All soldiers run away. The good ones come back.”

Guest Author · July 5, 2020

Saint Eulalia Gradual • Guest Article by Josh Carey

“This has been extremely successful in my parish, and I plan to continue until I’ve set the entire church year.” —Joshua D. Carey

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Guest Author · July 1, 2020

“Choral Singing post-COVID” • Perspectives from a Hong Kong Doctor & Chorister

A package of measures to keep choral singing safe.

Guest Author · June 29, 2020

Chanting and Spiritual Health

In a time of contagion and social unrest, we need plainchant more than ever, even when we stay home.

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Guest Author · June 7, 2020

“Comparison” • 15 Traditional Catholic Hymnals

Covid-19 has forced many parishes to remove all hymnals from their pews: A perfect opportunity for change!

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Guest Author · September 18, 2019

Catholics Get The “Chants” of a Lifetime…

“I was expecting a lot, and it was more than I expected,” Sutherland said.

Guest Author · July 25, 2019

Jennifer D. Behnke • “Brébeuf Hymnal Review”

“How I love the multiple settings of each text, which can be interchanged as required by seasonal and festal usage.” —Maestro Behnke

Guest Author · June 3, 2019

Heresy du Jour?

Under such circumstances, what should the believer do?

Guest Author · January 26, 2019

New! • Organ Scholarships at Christendom College

Christendom College will offer up to $5,000 for students starting in the Fall of 2019.

Guest Author · October 5, 2018

Success! • Sacred Music Retreat in Ohio

Immersion in what defines our very purpose as members of the choir.

Guest Author · September 17, 2018

Guest Article • “Composing a Responsorial Psalm”

What makes for a good responsorial psalm setting? Is it mere singability, a catchy tune, or something more?

Guest Author · July 30, 2018

Expectations Exceeded at the Symposium!

“If you occasionally share a habit of mine for getting stuck in one style, take new inspiration here!” —Miss Phoebe Wing

Guest Author · May 27, 2018

Marian Concert: Carmelite Sisters and Credo Choir

The Carmelite Sisters at Santa Teresita rarely sing for the public.

Guest Author · April 16, 2018

What does Cicero have to do with the Breviary?

A proposal for “mutual enrichment”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

Recent Posts

  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In

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