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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · December 31, 2017

USCCB Assesses Impact of “Magnum Principium”

Seven Observations on Liturgical Translation and the Recent Motu Proprio

Fr. David Friel · December 24, 2017

Lux Fulgebit: Mass at Dawn of Christmas Day

New recording by the Schola Cantorum of St. Mary’s Church in Norwalk, CT

Fr. David Friel · December 17, 2017

Gray Book for Baptism of Children Approved

How will the “confirmatio” and “regonitio” processes unfold in light of “Magnum principium”?

Fr. David Friel · December 10, 2017

Knowledge of the Infant Lord

Sheer Grace

Fr. David Friel · November 5, 2017

Prayers of Preparation and Farewell

Two prayers for improving one’s liturgical disposition

Fr. David Friel · October 29, 2017

All Saints and the Extraordinary Form of the Mass

The Roman Rite gives strong attention to the presence of the saints.

Fr. David Friel · October 22, 2017

The Spirit of All Souls’ Day

A thought from Dietrich von Hildebrand

Fr. David Friel · October 15, 2017

6th-Century Icon: God of Mercy and Justice

A thoughtful reading of an icon at the Holy Monastery of Saint Catherine in Sinai, Egypt

Fr. David Friel · October 8, 2017

In the Beauty of Holiness: Music and the Transcendent

New Lecture Series at the International Institute for Culture

Fr. David Friel · October 1, 2017

Printable Card • “Prayers at the Foot of the Altar”

A handy resource for priests and servers

Fr. David Friel · September 24, 2017

Album: Sacred Treasures of England

Reflections on a recently released album of English choral music

Fr. David Friel · September 17, 2017

Two Transatlantic Choir Tours

The USA will soon receive the Sistine Chapel Choir and the Schola Cantorum of the London Oratory School on tour.

Fr. David Friel · September 14, 2017

Origins of the Exaltation of the Holy Cross

A summary of the complex history of a unique sanctoral feast

Fr. David Friel · September 10, 2017

Art of the Beautiful Lecture Series 2017-2018

Six upcoming presentations in New York City

Fr. David Friel · September 6, 2017

Sacred Music Workshop • Allentown, NJ

The workshop presenter will be Peter Carter, a graduate of Westminster Choir College in organ performance.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

Recent Posts

  • “You need ‘youthful music’ to attract the youth.” False.
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  • Installment #2 • “Serious Problems with the Lectionary Translation”
  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)

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