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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · February 6, 2017

The Japanese Martyrs

Extraordinary Strength of Faith

Fr. David Friel · February 5, 2017

God Has No Need of Our Music

A Thought from Saint Irenaeus of Lyons

Fr. David Friel · January 30, 2017

In Defense of the Organ Postlude

Newly-published reflections from Professor Kwasniewski.

Fr. David Friel · January 30, 2017

In Defense of the Organ Postlude 1

Newly-published reflections from Professor Kwasniewski.

Fr. David Friel · January 29, 2017

Conference Updates

Dunwoodie Chant Conference & Sacra Liturgia Milano

Fr. David Friel · January 22, 2017

Motet for Three Voices: “O Crux Ave” 1

This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.

Fr. David Friel · January 19, 2017

Debriefing “Silence”

Thoughts on Martin Scorsese’s Latest Film

Fr. David Friel · January 15, 2017

Cosmic Harmony

Thoughts from Saint Athanasius

Fr. David Friel · January 3, 2017

The Hallowed Name 1

To Use or Not to Use?

Fr. David Friel · January 1, 2017

New Details on Dunwoodie Chant Conference

“Gregorian Chant in Pastoral Ministry and Religious Education” — March 10 & 11, 2017

Fr. David Friel · December 11, 2016

The Historic Adaptability of the Marriage Rite

Evidence from Trent and Vatican II

Fr. David Friel · December 4, 2016

The Renewal of Adoremus

The “Society for the Renewal of the Sacred Liturgy” is itself experiencing renewal.

Fr. David Friel · November 27, 2016

Update on Sacra Liturgia Milano 2017

Preliminary Speaker List and Background Information

Fr. David Friel · November 20, 2016

A Triptych on Mercy • Reflection III

The Beauty of Mercy

Fr. David Friel · November 13, 2016

A Triptych on Mercy • Reflection II

The Need for Mercy

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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