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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · May 28, 2017

The Sequences as Popular Works of Liturgical Creativity

A new article on the Sequences of the Roman Rite in the “Adoremus Bulletin”

Fr. David Friel · May 21, 2017

Antiphon Journal Expands Its Archives

Recent issues now available for preview through Project MUSE.

Fr. David Friel · May 14, 2017

Podcast on Sacred Music

An interview with the blog, “Seminarian Casual”

Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

Fr. David Friel · April 30, 2017

Masterful “Salve Regina” by 17th-Century Portuguese Composer

This is the sort of setting that could only have derived from faith and grown out of the experience of praying these words repeatedly and fervently.

Fr. David Friel · April 16, 2017

Introducing the Wethersfield Institute Chant Workshop

A new chant workshop in upstate New York in June 2017.

Fr. David Friel · April 9, 2017

Square Note App

Bring your “Graduale Digitalum” wherever you go.

Fr. David Friel · April 2, 2017

Two Articles Worth Reading

On “Liturgiam authenticam” and the Crisis in Art

Fr. David Friel · March 25, 2017

The Joy of Penance

The celebration of Laetare Sunday reveals a deeper truth.

Fr. David Friel · March 19, 2017

What to Do with the “Fourth Option”

A new Adoremus article explores how best to overthrow the tyranny of “alius cantus congruus.”

Fr. David Friel · March 15, 2017

Dunwoodie Chant Conference • Review of a Successful Event

I was renewed in spirit for a future filled with hope for liturgical music.

Fr. David Friel · March 8, 2017

Revisiting Musicam Sacram

Fifty Years Later – Strengths, Weaknesses, and Progressive Solemnity

Fr. David Friel · March 5, 2017

Is There Music in Heaven?

The Sights and Sounds of St. John’s Apocalypse

Fr. David Friel · February 26, 2017

The Purpose of Art

Considerations from Tolstoy

Fr. David Friel · February 19, 2017

Will All Men Be Saved? 1

Hope vs. Certainty

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The plea that the laity as a body do not want liturgical change, whether in rite or in language, is, I submit, quite beside the point. … (it is) not a question of what people want; it is a question of what is good for them.”

— Dom Gregory A. Murray (14 March 1964)

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  • “Music List” • 17th in Ordinary Time (Year C)

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