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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · May 28, 2017

The Sequences as Popular Works of Liturgical Creativity

A new article on the Sequences of the Roman Rite in the “Adoremus Bulletin”

Fr. David Friel · May 21, 2017

Antiphon Journal Expands Its Archives

Recent issues now available for preview through Project MUSE.

Fr. David Friel · May 14, 2017

Podcast on Sacred Music

An interview with the blog, “Seminarian Casual”

Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

Fr. David Friel · April 30, 2017

Masterful “Salve Regina” by 17th-Century Portuguese Composer

This is the sort of setting that could only have derived from faith and grown out of the experience of praying these words repeatedly and fervently.

Fr. David Friel · April 16, 2017

Introducing the Wethersfield Institute Chant Workshop

A new chant workshop in upstate New York in June 2017.

Fr. David Friel · April 9, 2017

Square Note App

Bring your “Graduale Digitalum” wherever you go.

Fr. David Friel · April 2, 2017

Two Articles Worth Reading

On “Liturgiam authenticam” and the Crisis in Art

Fr. David Friel · March 25, 2017

The Joy of Penance

The celebration of Laetare Sunday reveals a deeper truth.

Fr. David Friel · March 19, 2017

What to Do with the “Fourth Option”

A new Adoremus article explores how best to overthrow the tyranny of “alius cantus congruus.”

Fr. David Friel · March 15, 2017

Dunwoodie Chant Conference • Review of a Successful Event

I was renewed in spirit for a future filled with hope for liturgical music.

Fr. David Friel · March 8, 2017

Revisiting Musicam Sacram

Fifty Years Later – Strengths, Weaknesses, and Progressive Solemnity

Fr. David Friel · March 5, 2017

Is There Music in Heaven?

The Sights and Sounds of St. John’s Apocalypse

Fr. David Friel · February 26, 2017

The Purpose of Art

Considerations from Tolstoy

Fr. David Friel · February 19, 2017

Will All Men Be Saved? 1

Hope vs. Certainty

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I love them that love me: and they that in the morning early watch for me shall find me.”

— Proverbs 8

Recent Posts

  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass
  • Good Friday Flowers

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