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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Motyka • Article Archive

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—Read full biography (with photographs).

Andrew R. Motyka · May 8, 2013

Not-So-Ordinary Time

Ordinary Time doesn’t mean what you think it means, and even if it does, you’re probably wrong.

Andrew R. Motyka · May 1, 2013

Live for the Moment

The temporal reality of the liturgy that cannot be bound by recordings.

Andrew R. Motyka · April 24, 2013

Following the Leader

The choir director as a model for singing.

Andrew R. Motyka · April 17, 2013

Just Pick Up a Pencil and Do It.

Short and sweet regarding composing.

Andrew R. Motyka · April 10, 2013

Participating Actively despite all of that Active Participation

Isn’t this what is meant by the “active participation” that is one of the liturgical goals of the Second Vatican Council?

Andrew R. Motyka · April 3, 2013

The Choir Director as Catechist

How to feed your choir in non-musical ways.

Andrew R. Motyka · March 27, 2013

Free Communion Antiphons!

Free responsorial-style Communion antiphons for Ordinary Form Mass use.

Andrew R. Motyka · March 20, 2013

Cub Scouts, Abel, and Liturgical Music

The Cub Scout motto and how we should always render our best work to God.

Andrew R. Motyka · March 13, 2013

How Do I Get Them to Sing? Part 2 of 2

Part 2 of the congregational singing series.

Andrew R. Motyka · March 6, 2013

How Do I Get Them to Sing? Part 1 of 2

The perennial problem of congregational singing.

Andrew R. Motyka · February 27, 2013

The Church Music Director: Job or Vocation?

Is music your whole life? Should it be?

Andrew R. Motyka · February 20, 2013

Are You to Wash My Feet?

Presenting a choir piece for the Washing of Feet on Holy Thursday

Andrew R. Motyka · February 13, 2013

Lord, Have Mercy?

In which I make Prince references to describe the Ash Wednesday Kyrie.

Andrew R. Motyka · February 6, 2013

Every moment is a teachable moment

For the record, I double-checked the Missal, and learned something about the rubrics myself . . .

Andrew R. Motyka · January 30, 2013

I am not worthy

In which I forget parts of the Mass Ordinary and try to get through it anyway.

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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