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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Motyka • Article Archive

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—Read full biography (with photographs).

Andrew R. Motyka · May 8, 2013

Not-So-Ordinary Time

Ordinary Time doesn’t mean what you think it means, and even if it does, you’re probably wrong.

Andrew R. Motyka · May 1, 2013

Live for the Moment

The temporal reality of the liturgy that cannot be bound by recordings.

Andrew R. Motyka · April 24, 2013

Following the Leader

The choir director as a model for singing.

Andrew R. Motyka · April 17, 2013

Just Pick Up a Pencil and Do It.

Short and sweet regarding composing.

Andrew R. Motyka · April 10, 2013

Participating Actively despite all of that Active Participation

Isn’t this what is meant by the “active participation” that is one of the liturgical goals of the Second Vatican Council?

Andrew R. Motyka · April 3, 2013

The Choir Director as Catechist

How to feed your choir in non-musical ways.

Andrew R. Motyka · March 27, 2013

Free Communion Antiphons!

Free responsorial-style Communion antiphons for Ordinary Form Mass use.

Andrew R. Motyka · March 20, 2013

Cub Scouts, Abel, and Liturgical Music

The Cub Scout motto and how we should always render our best work to God.

Andrew R. Motyka · March 13, 2013

How Do I Get Them to Sing? Part 2 of 2

Part 2 of the congregational singing series.

Andrew R. Motyka · March 6, 2013

How Do I Get Them to Sing? Part 1 of 2

The perennial problem of congregational singing.

Andrew R. Motyka · February 27, 2013

The Church Music Director: Job or Vocation?

Is music your whole life? Should it be?

Andrew R. Motyka · February 20, 2013

Are You to Wash My Feet?

Presenting a choir piece for the Washing of Feet on Holy Thursday

Andrew R. Motyka · February 13, 2013

Lord, Have Mercy?

In which I make Prince references to describe the Ash Wednesday Kyrie.

Andrew R. Motyka · February 6, 2013

Every moment is a teachable moment

For the record, I double-checked the Missal, and learned something about the rubrics myself . . .

Andrew R. Motyka · January 30, 2013

I am not worthy

In which I forget parts of the Mass Ordinary and try to get through it anyway.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 23rd in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 7 September 2025, which is the 23rd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. My singers really enjoy singing the resplendent COMMUNION ANTIPHON with its Fauxbourdon verses.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Music List” • 23rd in Ordinary Time (Year C)
  • PDF Download • Draft Copy (Pamphlet)
  • “Entrance Chant” • 23rd (Ordinary Time)
  • Weird Liturgical Kalendar …
  • Is ‘Chant’ a Generic Word for ‘Sing’ ? • No!

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