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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung • Article Archive

Andrew Leung graduated from the sacred music program of Franciscan University of Steubenville, majored in vocal performance. He has also studied organ, choral conducting and Gregorian chant with world-class musicians. Prior to returning to Hong Kong, he served as a parish music director in Atlanta, and later as the organist and choirmaster at the Cathedral of Macau, China. Andrew is currently the music director of Vox Antiqua, conductor of the Cecilian Singers and music director at Our Lady of China Church. He is also an artist and vocal coach at the Paul Phoenix Academy.—Read full biography (with photographs).

Andrew Leung · September 28, 2017

Video • All Priests Should Learn Traditional Latin Mass

An interview with Archbishop Alexander Sample of Portland, Oregon.

Andrew Leung · September 21, 2017

The New Way of the “Sistina”

Msgr. Massimo Palombella introducing the new way of singing of the Pope’s choir.

Andrew Leung · September 7, 2017

Report • Hong Kong Summer Choral Workshops

Two choral workshops for church choirs were held in Hong Kong over the summer.

Andrew Leung · August 25, 2017

Report • Summer Sacred Music Workshop 2017

About 65 musicians attended the Summer Sacred Music Workshop III and the next annual workshop is already in planning!

Andrew Leung · August 10, 2017

Learn From Children Choristers

We church musicians are called to be more childlike than other musicians.

Andrew Leung · August 1, 2017

In Defense of the “Sistine Screamers”

There are a few things I would like to point out in defense of their old choral approach.

Andrew Leung · July 20, 2017

Recording • Choral Mattins with John Rutter

Here is some great church music coming from the Anglican Cathedral of Hong Kong

Andrew Leung · July 13, 2017

Singing with John Rutter

Rutter: “When they join together, they become one; and they share an experience which they couldn’t have on their own.”

Andrew Leung · July 6, 2017

The Most Sensitive Musical Instrument

“Have you thanked God for this failure already?”

Andrew Leung · June 29, 2017

Summer Sacred Music Workshop 2017

Southeastern Sacred Music (CMAA) presents: Summer Sacred Music Workshop 2017

Andrew Leung · June 8, 2017

Live Recording from Macau Cathedral

A Live recording of early Renaissance music from the Far East!

Andrew Leung · May 11, 2017

Church Musicians are called to be Good Shepherds

Not only priests, church musicians are also called to be good shepherds after the example of Christ.

Andrew Leung · May 4, 2017

Why the Pipe Organ?

Why is the pipe organ to be held in high esteem?

Andrew Leung · April 27, 2017

2nd Macau International Choir Festival

Register before August 20 to participate in the 2nd Macau International Choir Festival

Andrew Leung · April 6, 2017

It is Finished

What can a musician learn from the last words of our crucified King?

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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