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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Chant any Psalms and Antiphons

Veronica Brandt · July 13, 2019

E ALL NEED TO PRAY MORE. Liturgical Prayer isn’t confined to the Holy Sacrifice of the Mass. For centuries saints of all stripes have sung the Psalms throughout the day. At first it would take years to memorize the psalms. Then came the Printing Press. Now we have online tools which provide the psalms notated, ready to sing!

This tutorial will help you on any occasion when you would like to sing a psalm in the style of the Liber Usualis and Antiphonale and other liturgical books from last century. This still assumes you can read square notes. If this is an issue, you might like to read An Idiot’s Guide to Square Notes by Arlene Oost-Zinner and Jeffrey Tucker.

First step is to find your psalm. You may have a printed copy of your Office of choice, or you may access the amazing riches of the website: Divinum Officium. Take note of the Psalm Number.


Divinum Officium Screenshot

Usually a psalm is preceded by an Antiphon in Latin. Take note of the first few words then head over to that amazing database of chant that is GregoBase. You can find your antiphon “by incipit” – you may have to scroll a bit through all the pieces starting with the same letter. Yellow boxes signify Antiphons.


Gregobase Scores

Notice each Antiphon has a Mode Number, usually appearing above the Big Drop Cap at the beginning of the Antiphon. It should be a number from 1-8, possibly followed by a letter. This describes the flavour of the antiphon so that the psalm tone tune can be chosen to match.

Now open yet another tab, this time with the tremendous Psalm Tone Tool.


Psalm Tone Tool with Marks

Select your Psalm from the drop down menu on the right. That menu defaults to the Magnificat – there are quite a few more Canticles in the collection for when you need them. Select your Mode on the left – there are modifications to most numbers named after the letter name of the ending note, taking Do as C. I’ve managed thus far without knowing how these variations are determined – some antiphons will specify which variation – ask your superior (and if you don’t have a superior, then it probably doesn’t matter too much.)

When everything seems to be in place, hit the “Hide Editor” link in the lower part of the screen. If all has gone according to plan, you should see the psalm all laid out ready to chant! With the Antiphon from GregoBase open in another Tab, you’re all set to sing!

Is this helpful to you? Drop us a comment on the Facebook comments, or contact me.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The first tasks of the new pope will be to restore normality, restore doctrinal clarity in faith and morals, restore a proper respect for the law and ensure that the first criterion for the nomination of bishops is acceptance of the apostolic tradition. Theological expertise and learning are an advantage, not a hinderance for all bishops and especially archbishops.”

— Cardinal Pell (2022) about the pope who will succeed Francis

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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