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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)

Jeff Ostrowski · March 13, 2026

T THE VERY FIRST meeting of the PREPARATORY COMMISSION in October 1960, Father Percy Jones was given a task by the legendary musicologist, Monsignor Higinio Anglés (chairman of the subcommittee on music). His task was to write the position paper on musical instruments in the liturgy. When I say “Preparatory Commission” I’m referring to the committee of experts preparing discussion papers vis-à-vis the liturgical constitution. This constitution was supposed to be created and voted on during Vatican II (which was scheduled to begin in 1962). The head of the commission was Cardinal Gaetano Cicognani, and Hannibal Bugnini was appointed secretary.1 Father Percy Jones wrote his paper during the voyage from Naples to New York by steamer. Without a typewriter, he printed out his text—in Lingua Latina—by hand. Regarding this paper, Father Jones said:

I have never understood why people were passed over (in Australia and elsewhere) who were much more important than I. Sometimes I suspect I was chosen by Bugnini because I was ‘good entertainment’ and could help him over the rough patches.

I accepted, received the papers, took the prescribed oaths of secrecy and discovered that the first meeting would be in October 1960. There were two sorts of members. The members of the Commission itself, mostly bishops, but with some fine old scholars like Jungmann, Father O’Connell from London, and others. There was then a group of about thirty “consultors” or experts of which I was one. In this latter group were people like Fred McManus from Washington, Godfrey Diekmann from Collegeville, and the Frenchman Aimé Martimort. The funny part was that he and I had been students together at St Louis’ French College in Rome in the late 1930s and here we were thrown together for work in the fields of our interests—music and liturgy—after thirty years.

I sent my paper from Honolulu. I argued that the organ should be able to be played for Masses for the dead, in Holy Week (HEBDOMADA MAJOR), and so forth. The Italians had the absurd idea that the organ was a joyful instrument and should be forbidden at certain times, as was indeed the case. Although they didn’t accept all I recommended at the time, it has all been accepted now. The first breakthrough came in Czechoslovakia where they gave permission to play the organ on Good Friday. It was so absurd not to recognize that in some cultures the organ is seen as one of the most effective means of expressing a mood of sorrow and inspires meditation and reflection.

These opinions of Father Percy Jones seemingly match what I wrote:

*  Article • “Opinions Vis-à-vis Pipe Organ”
—“Pipe Organ Interlude During Funerals?” • Reader Feedback.

Mistaken Identity • Those who read carefully this article will agree that Father Percy Jones does not have in mind Father Laurence John O’Connell, who at one time served as Master of Ceremonies for Saint Mary of the Lake Seminary (a.k.a. “Mundelein”) in the United States. Rather, he means Canon John Berthram O’Connell (d. 1977), a secular priest of the Menevia Diocese in Wales who modified “Ceremonies of the Roman Rite Described”—after the tragic death of its author, Dr. Adrian Fortescue, in 1923—and over the next forty years prepared nine more editions. Canon J. B. O’Connell also published “Sacred music and liturgy” in 1959 as well as “A study in liturgical law” in 1956. [For the record, nobody knows in what year Father Laurence John O’Connell (b. 1915) of Chicago died.]

Jones Was Accomplished • Father Percy Jones was described as “short, corpulent, and ruddy faced—with a ready smile and bright eyes.” His brother Basil became director of the Queensland Conservatorium of Music. He edited two Australian hymnals and was one of the key members of ICEL in its early days. Under famous musicians such as Raffæle Casimiri (d. 1943), Father Jones studied at the Pontifical Institute for Sacred Music in Rome (“PIMS”) where he completed his doctorate in Music. He was ordained as a priest in 1937. The following photograph shows him as a student in Rome:

1 To learn about the outrageous and reprehensible ways Hannibal Bugnini abused the pope’s trust, read the written testimony (PDF file) of Professor Louis Bouyer, a close friend of Pope Saint Paul VI.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Aimé Martimort Vatican II, Annibale Bugnini Reform, Canon John Berthram O’Connell, Louis Bouyer Oratorian Priest Last Updated: March 13, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

Recent Posts

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  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
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