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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Pipe Organ Interlude During Funerals?” • (Reader Feedback)

Corpus Christi Watershed · February 5, 2026

The following came from Dennis M.
[We usually redact names for anonymity’s sake.]

APPRECIATED VERY MUCH the opportunity to download your MUSICAL TEMPLATE for Funerals which you uploaded to the Corpus Christi Watershed website a few days ago. Nevertheless, I am puzzled by number 7. There should be no organ interlude at the Offertory, as the documents state clearly that organ (or other instruments) can only be used to support singing at the Funeral Mass.

Jeff Ostrowski answered (below).
Posted on 5 February 2026.

Before I say one word, I should probably point out that—in spite of what I wrote on the TEMPLATE (PDF file) you reference—I’ve never actually played an ORGAN INTERLUDE during the Offertory because the plainsong (Dómine Jesu Christe) is fairly lengthy, so I never have time. But since I’m a somewhat nervous person, I always like to have a “Plan B.” Broadly speaking, much of the post-conciliar legislation concerning sacred music is muddled and self-contradictory, although I take no pleasure in saying this. For instance, there was a document published in the 1970s by the USCCB Committee on Divine Worship called “The Place of Music in Eucharistic Celebrations.” [This document—promoted heavily by people like Monsignor Frederick McManus—was finally was abolished in 2007.] The document told Catholic musicians that singing psalms (!) during Mass “may create problems rather than solve them.” On the other hand, before Vatican II, the pipe organ was forbidden during funerals … yet the “Missa pro defunctis” was without question the most popular item for which to create organ accompaniments in those days! So there seems to have been a gap between the official legislation and ‘what was happening on the ground’ in most parishes … at least in the United States.

In terms of an explicit ban on organ interludes during funerals (for the 1970 Missal) I’m not aware of such a document. Perhaps one of our readers can email me a specific citation?

By the way, my friend Mæstro Fritz reminded me that certain Church leaders follow a principle: “A law that’s not enforced ceases to be a law.” Perhaps he’d be willing to weigh in, citing chapter and verse?

Those who carefully examine the articles I’ve published over the last 10 years will notice I take Church documents very seriously. On the other hand, the Catholic Faith is eminently rational. In spite of what some claim, we are not ‘robots’ who blindly follow rubrics in a legalistic and mindless way. What I’m suggesting is that we have an obligation to consider the reason certain customs and laws came into being. A century ago, French cathedrals were massive, with enormous and luxurious pipe organs. Playing the organ at Mass (sadly) sometimes became a “concert.” Famous French organists would play all during the Low Mass, giving a type of organ ‘recital’ or performance. In those days, the pipe organ was a symbol of joy and festivity.

Does it make sense to look at things the same way today? Taking away the pipe organ; what effect would that have on most Catholics today? In Texas, a certain person once approached me after Mass. (I will not reveal his name because he’s currently the musical director for a Roman Catholic archdiocese.) He approached me with a bewildered look on his face. He introduced himself, and told me how amazing it was to hear me play the pipe organ Mass. Then he asked: “Is that actually allowed?” Remember, this person is currently director of music for an archdiocese. He was literally asking me whether it’s allowed to play the pipe organ at Mass. And that’s why I ask whether a rational person working in the Church today could argue that ‘taking the organ away’ will be experienced as a lack of festivity. To describe things another way: it’s absurd to speak of ‘removing’ something if the person in question has never experienced it in the first place. It would be like ‘punishing’ someone by revoking their privileges to travel to the planet Jupiter.

As always, please let me know
if you agree with my analysis.

Update:
A reader has sent the following email: “Interestingly, I rewatched part of Pope France’s funeral, and organ instrumentals (organ interludes) are played during the Offertory.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: February 6, 2026

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

Recent Posts

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  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”

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