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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Pipe Organ Interlude During Funerals?” • (Reader Feedback)

Corpus Christi Watershed · February 5, 2026

The following came from Dennis M.
[We usually redact names for anonymity’s sake.]

APPRECIATED VERY MUCH the opportunity to download your MUSICAL TEMPLATE for Funerals which you uploaded to the Corpus Christi Watershed website a few days ago. Nevertheless, I am puzzled by number 7. There should be no organ interlude at the Offertory, as the documents state clearly that organ (or other instruments) can only be used to support singing at the Funeral Mass.

Jeff Ostrowski answered (below).
Posted on 5 February 2026.

Before I say one word, I should probably point out that—in spite of what I wrote on the TEMPLATE (PDF file) you reference—I’ve never actually played an ORGAN INTERLUDE during the Offertory because the plainsong (Dómine Jesu Christe) is fairly lengthy, so I never have time. But since I’m a somewhat nervous person, I always like to have a “Plan B.” Broadly speaking, much of the post-conciliar legislation concerning sacred music is muddled and self-contradictory, although I take no pleasure in saying this. For instance, there was a document published in the 1970s by the USCCB Committee on Divine Worship called “The Place of Music in Eucharistic Celebrations.” [This document—promoted heavily by people like Monsignor Frederick McManus—was finally was abolished in 2007.] The document told Catholic musicians that singing psalms (!) during Mass “may create problems rather than solve them.” On the other hand, before Vatican II, the pipe organ was forbidden during funerals … yet the “Missa pro defunctis” was without question the most popular item for which to create organ accompaniments in those days! So there seems to have been a gap between the official legislation and ‘what was happening on the ground’ in most parishes … at least in the United States.

In terms of an explicit ban on organ interludes during funerals (for the 1970 Missal) I’m not aware of such a document. Perhaps one of our readers can email me a specific citation?

Those who carefully examine the articles I’ve published over the last 10 years will notice I take Church documents very seriously. On the other hand, the Catholic Faith is eminently rational. In spite of what some claim, we are not ‘robots’ who blindly follow rubrics in a legalistic and mindless way. What I’m suggesting is that we have an obligation to consider the reason certain customs and laws came into being. A century ago, French cathedrals were massive, with enormous and luxurious pipe organs. Playing the organ at Mass (sadly) sometimes became a “concert.” Famous French organists would play all during the Low Mass, giving a type of organ ‘recital’ or performance. In those days, the pipe organ was a symbol of joy and festivity.

Does it make sense to look at things the same way today? Taking away the pipe organ; what effect would that have on most Catholics today? In Texas, a certain person once approached me after Mass. (I will not reveal his name because he’s currently the musical director for a Roman Catholic archdiocese.) He approached me with a bewildered look on his face. He introduced himself, and told me how amazing it was to hear me play the pipe organ Mass. Then he asked: “Is that actually allowed?” Remember, this person is currently director of music for an archdiocese. He was literally asking me whether it’s allowed to play the pipe organ at Mass. And that’s why I ask whether a rational person working in the Church today could argue that ‘taking the organ away’ will be experienced as a lack of festivity.

As always, please let me know
if you agree with my analysis.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: February 5, 2026

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President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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