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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Information Requested About Hymnals”

Corpus Christi Watershed · January 17, 2026

Myrna S. wrote to us as follows on 17 January 2026.
[We usually redact names for anonymity’s sake.]

AM A CHOIR DIRECTOR evaluating the Brébeuf Hymnal for our Catholic parish in [redacted]. Our bishop would like us to provide him with testimonials from parishes that currently use the Brébeuf Hymnal to support our decision-making process. Comments about: the fruits that the hymnal has brought to the parishes; the things that they like about it over other hymnals; why they chose to use it; and so forth would be extremely helpful to us! If you have any questions for me, please let me know! Thank you so much for your time, M.S.

Jeff Ostrowski provided the following response.
[He currently serves as president of Corpus Christi Watershed.]

(1) To read what ‘ordinary’ Catholics and music directors are saying, click here.

(2) You’ll want to check out this fascinating article by Father Jeffrey Moore, a Roman Catholic priest who isn’t associated with CORPUS CHRISTI WATERSHED or SOPHIA INSTITUTE PRESS in any way whatsoever.

(3) A college student at Thomas Aquinas College in California published this thoughtful and thorough description of the Brébeuf Hymnal.

(4) In the context of other traditional Roman Catholic hymn books, the Brébeuf Hymnal has been reviewed and compared by Mr. Daniel Craig.

(5) Jennifer D. Behnke, a director of music ministries for several Roman Catholic organizations in New Jersey, wrote an essay speaking about the Brébeuf Hymnal in glowing terms.

(6) There is a PDF document that has about 35 articles about the Brébeuf Hymnal, including scholarly treatments by Dr. Aaron James and Father Christopher Smith. Both of those men are considered experts in their fields.

(6) If you’re interested in what the ‘experts’ have to say, check out this list of assembled quotations by experts on the sacred liturgy.

(7) A few weeks ago, one of our parishioners (who’s a mother of 11 children) wrote to me regarding the Brébeuf Hymnal, which is found in the pews of our parish:

“I think the Brébeuf hymnal should
be in every parish because it is an
absolute treasure of Catholic artistry,
theology, and history. It both unites
us with centuries of Catholic tradition
and bridges that tradition to the present
by making the songs accessible and easy
to learn. Every week I feel like l’ve
been shown a new treasure, a song from
our rich Catholic heritage that I may
have never heard, but instantly love.
The theology of the songs is
inspirational and instructional.
Compared to the Protestant-inspired
hymn books I’ve experienced in the
past at multiple parishes, I feel
like this would go a long way in
helping categorize and form
parishioners in the true depth of
Catholic theology and spirituality.”

There’s no way I could run our parochial choral program without it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 17, 2026

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

Recent Posts

  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)
  • PDF • “Dr. Adrian Fortescue: Priest & Musician”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.