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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Outrageously Rare” Feder Missal (Latin, French, & English) — 3,290 pages!

Jeff Ostrowski · January 12, 2026

OME CONSIDER the 1961 hand-missal by Dr. Finberg (drawing heavily on Msgr. Ronald Knox’s biblical translations) the most ‘extravagantly sumptuous’ ever published. Whether or not that’s true, efforts by other publishers also have much to contribute, and are therefore greeted with joy by lovers of the sacred liturgy. Today, we release an exceedingly rare book: the FEDER MISSAL. We release the 1962 edition (English-Latin) as well as the ‘original’ FEDER MISSAL (French-Latin). Members of Corpus Christi Watershed spent hours carefully photographing each page, and then we utilized an online viewer built by my colleague, Matthew Frederes, which allows each page to be navigated and viewed with spectacular ease:

*  FEDER MISSAL • Latin-English (1962)
—Msgr. Crichton, Fr. Bullough, Fr. Howell, Harold Winstone, Donald Attwater, Canon Martimort.

*  FEDER MISSAL • Latin-French (1957)
—Martimort’s NIHIL OBSTAT (11 July 1957); PSALTER comes from the ‘Jerusalem Bible’ according to the Preface.

English Translations • For hundreds of years, the ‘correct’ approach to liturgical translation has been debated. (1) Some believe strongly in a type of robotic literalness. Such an approach cherishes cognates and would render the beginning of Psalm 39 (Exspéctans exspectávi Dóminum) as: “Expecting, I have expected the Lord.” (2) Others feel the translator should render ideas, not individual words. For instance, when translating Spanish (dar a luz) adherents of this method wouldn’t refer to a mother “giving light to her child.” Rather, they would present what it means: viz. “giving birth.” (3) The third method might be called the “ICEL method,” in which translators deliberately ‘obscure’ or ‘contradict’ or ‘modify’ the meaning of the text for ideological reasons; e.g. to make texts more palatable to homo modernus. The 1994 PSALTER produced by ICEL (edited by people like Peter Finn) demonstrates this third method very well.

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The Collaboration • The 1962 English version of the FEDER MISSAL was prepared by: Monsignor James Dunlop Crichton [1907–2001] of The Society of Saint Gregory (chairman of the editorial board); Father Sebastian Bullough [1910–1967], a Dominican priest, PRIOR of Woodchester, who lectured at Cambridge University in Hebrew and Aramaic (translation of rhythmical psalms), Father Clifford Howell, S.J. [1902–1981], a graduate of Stonyhurst College in England and contributor to Orate Fratres who is sometimes confused with Dr. Gerald Ellard S.J. of St. Mary’s College in Kansas (translation of longer introductions); Rev’d Harold Winstone [1917–1987] president of The Society of Saint Gregory and member of ‘ICEL’, the International Commission on English in the Liturgy (translation of proper Mass chants); Donald Attwater [1892–1977] author of The Catholic Encyclopaedic Dictionary (general editor of this Englished Feder Missal); Canon Aimé-Georges Martimort [1911–2000]who in the 1960s suggested that the “Pater Noster” ought to be sung by all the faithful along with the priest “though sotto voce” and who—although he gave the NIHIL OBSTAT to the 1957 French edition—wrote the PREFACE to the Latin-English FEDER MISSAL. For the record, Rachel Atwater (the wife of Donald Attwater) was also a scholar and author; if you look on page 108, you will see that Rachel translated the Breviary hymn (O lux beáta cǽlitum) for the Feast of the Holy Family. Indeed, the 1962 FEDER MISSAL book contains English translations of certain Breviary hymns that can’t be found in any other book … not even the Brébeuf Hymnal.

Final Thoughts • It is not known why the books are called ‘FEDER MISSALS’ inasmuch as the Jesuit priest, Father José Feder, was not solely responsible for the creation of the hand-missal. Rather, Father Feder was part of a large team including: Father Ignace Carton SJ; Father Vincent Chartier SJ; Father Jean-Marie Dubromelle SJ; Father Henri Dudon SJ; Father Gervais Dumeige SJ; Father Charles George SJ; Pierre Poujoula SJ; Father Pierre Hennion SJ; and others who were not members of the Company of Jesus. In terms of the cadre who created the Latin-English version, some of them sadly went ‘off the deep end’ after the Second Vatican Council. For instance, Monsignor James Dunlop Crichton (d. 2001) labeled as “darkness” the Catholic liturgy for 1,000 years, in spite of how it formed and nourished so many great saints. Moreover, Monsignor Crichton wrote in 1996 that the post-conciliar changes “seemed to change the Roman rite beyond recognition but in fact brought it back to what it had been many centuries before it became distorted by accretions and indeed excrescences.” Such an assertion is bizarre and indefensible, but the ‘Baghdad Bob syndrome’ is hardly limited to Monsignor Crichton.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: FEDER MISSAL TLM, Herbert Patrick Reginald Finberg, ICEL, Missel Feder, Missel Quotidien Des Fidèles, Monsignor James Dunlop Crichton, Peter Finn ICEL, Ronald Knox Bible Translation Last Updated: January 30, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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