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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF • “Standard Gregorian Chants for Schools, Churches, Seminaries, & Convents” (1946) —123 pages

Jeff Ostrowski · December 14, 2025

PPROXIMATELY ten years ago, I worked closely with several priests who were pushing the Vatican (in a somewhat clandestine way, for obvious reasons) to grant permission to celebrate the 1950 Holy Week. More specifically, a group of us—working with a certain member of the Ecclesia Dei pontifical commission—successfully obtained this concession from Rome. The initial permission was supposed to be for several years, followed by an evaluation. Possibly due to Covid-19, the evaluation was delayed indefinitely.1

Holy Week Changes • It is indisputable that the reform of HOLY WEEK under Pius XII is poorly understood, often by the very people who claim to be ‘experts’ in this matter. I will have more to say to about this below. First, I will release a rare book from 1946—kindly scanned by Chris T.—which has never been placed online before today. The book is noteworthy for two reasons: (a) It has an interesting version of the Christus Vincit chant; (b) it has the clearest instructions I’ve ever seen regarding doubling invocations in the 1950 litany.

*  PDF Download • STANDARD GREGORIAN CHANTS—123 pages
—IMPRIMATUR by Richard Cardinal Cushing (1 July 1946).

(1 of 4) 1950 Holy Week • The 1962 Holy Week isn’t identical to the 1950 Holy Week. That’s because during those 12 years, a number of changes were made—in a piecemeal way—to the sacred liturgy. Some changes modified only HEBDOMADA MAJOR, while other changes had an impact on the entire liturgy: e.g. the priest no longer ‘duplicating’ the Gospel & Epistle sotto voce at the altar, reception of Holy Communion by the faithful during High Mass, permission for incense without Deacon & Subdeacon, elimination of the ‘Proper’ Last Gospel, and so forth. People who mean well sometimes pretend we can return to what they call the “pre-1954,” but those who have studied the matter carefully know better. There’s no going back, because it isn’t just a question of wearing folded chasubles or washing the feet of thirteen men on Holy Thursday instead of twelve. There were many items that must be taken into consideration (“collateral damage”): changes to the Eucharistic fast, permission for evening Masses, changes to the Divine Office, and so forth.

(2 of 4) 1950 Holy Week • When it came to efforts to restore the 1950 Holy Week, I mentioned how the differences are frequently misunderstood, especially by those who claim to be ‘experts’ in this matter. Certain influencers have created podcasts lasting 2-3 hours yet aren’t able to (correctly) pinpoint any difference between the 1962 version and the 1950 version. But a mature person realizes that one should not “prefer” THING A to THING B if one cannot differentiate between them. Over these last decades, I’ve met so many people who trash the 1962 version while claiming to “greatly prefer” the 1950 version. But when I ask why specifically they prefer the 1950, they have no answer. Consider a conversation that took place not many weeks ago. A gentleman quite involved with the INSTITUTE OF CHRIST THE KING SOVEREIGN PRIEST was insisting the 1962 Holy Week is total “garbage” (his word) compared to the 1950. I asked him: “What specifically do you prefer?” He responded: “Oh, well the 1950 version is just so much better.” I pressed him further: “But what makes you say that?” He replied: “It’s just so much nicer.” We went in exasperating circles for quite a while before I realized he couldn’t name a single difference between the two versions. This was not an isolated incident. I’ve frequently had similar conversations, which I find puzzling and disheartening.

(3 of 4) 1950 Holy Week • The book above explains the ‘duplication’ of the litany sung during the 1950 Holy Week. This brings up some rather unpleasant memories. When I was helping to ‘revive’ the older HEBDOMADA MAJOR—the Vatican having given its permission—I explained that each invocation in the litany must be doubled. (I knew this because Father Valentine Young had once mentioned how, growing up in the 1930s, they always doubled each invocation in the litany.) But when I explained this to people who should know better, they scoffed. And they refused to believe it.

(4 of 4) 1950 Holy Week • The sad fact is, some priests and seminarians who consider themselves ‘traditionalists’ aren’t really traditional. When they’re told certain things by priests ordained before Vatican II, they dismiss them. Some misguided people even prefer to mimic the SSPX rather than listen to the testimony of pre-conciliar priests. (The same thing sometimes happens in Europe, according to my friends in France and Germany.) In my humble opinion, it’s absurd to disregard the testimony of priests who were actually there!

Needless to say, not all TLM priests embrace such a view. But many years ago, an FSSP priest who’d studied at the Wigratzbad seminary made the following statement:

There’s a problem with some of
the priests in my order. Things
which they like they consider
“traditional.” But things they
don’t like are dismissively
declared to be Novus Ordo.

When he first said that, I didn’t understand. But all these years later, I realize his statement contains truth. Such an attitude, in my opinion, is troubling because it dismisses (in a rather arrogant way) the testimony of priests who were actually there, basically looking upon them as senile fools who can safely be ignored. I respect a priest who says: “We will do such-and-such a thing because that’s how I want it.” I don’t respect a priest who—having been shown documentation—says: “No, that’s not traditional.”

To make things a bit more personal, I oppose orchestral Masses. I find them distracting, secular, and theatrical. But I would never deem them “untraditional” because (in spite of my own sensibilities) they have an established tradition going back hundreds of years.

Further Explanation • To help readers understand what I’m trying to express, let me give another example. There are TLM priests who refuse to offer an ‘anticipated’ Mass on Saturday night “because that’s Novus Ordo”—although they offer evening Masses on every other afternoon and night of the week (which isn’t traditional at all). While I wholeheartedly support not having folks ‘anticipate’ Sunday Mass the night before—since Sunday is DOMINICA (“The Lord’s Day”)—these same TLM priests celebrate an anticipated Mass for Holy Days of Obligation. In other words, those same TLM priests offer the “Mass of the day” on the eve of the Holy Day of Obligation. I believe readers will see the contradiction. There are also TLM priests who claim to be celebrating the “old Holy Week,” yet do so using the 1956 times—which isn’t traditional.

Let me be very clear: I’m more than happy to obey priests in whatever they want to do. I’ve done that my whole life, and I do it gladly. What I find difficult is when priests pretend things are ‘untraditional’ which aren’t—and vice versa.

I should probably add: sometimes there are legitimate questions about whether something is traditional. An example would be the ‘extra’ verses for the OFFERTORY; are those really traditional? Intelligent people argue about that, and I can’t pretend to give a definitive answer.

(1 of 4) Conclusions • Regarding the rehabilitation of the 1950 Holy Week: was it worth it? That’s an interesting question…and someday I’d like to write an entire article in answer. On the one hand, the diehard supporters of the 1950 version often massively exaggerate the scope of the changes made. For instance, the music for both versions is virtually identical. Moreover, some of the music eliminated in 1962—such as the Vexilla Regis—can easily be reinstated without violating the 1962 rubrics. On the other hand, the mere fact that the sacred liturgy was changed in the 1950s was in and of itself something significant. With the exception of minor changes (like the 1925 addition of the FEAST OF CHRIST THE KING and the 1919 addition of the PREFACE FOR SAINT JOSEPH), such changes had not been made for centuries.

(2 of 4) Conclusions • I feel that bringing back the 1950 version was certainly worth it. One of the most important things we learned had to do with the sloppy genesis of 1950s modifications. It was done in a haphazard way, and the secret group of priests (Commissio Piana) appointed by Pope Pius XII to make the changes were guilty of careless errors. For instance, they constantly insisted that the blessing on Holy Saturday was for the water not the font. Yet they sometimes left the word “font” in the reformed books through sheer negligence. The changes to the beginning of Palm Sunday leave a huge period of awkward silence as the priest walks back and forth through the church sprinkling and incensing. They moved the MANDATUM without thinking things through, with the result that an antiphon assigned—the exact antiphon—is repeated verbatim a few moments later (something foreign to the rite).

(3 of 4) Conclusions • One of the negative results of resuscitating the 1950 Holy Week has been a series of false claims made by people who should know better. For instance, reprehensible lies are routinely told about the reception of Holy Communion on Good Friday. Furthermore, Don Stefano Carusi (a priest of the Institute of the Good Shepherd) wrote an article clumsily attacking the reforms made by Pius XII, in which he made elementary mistakes. For instance, he denies that the paschal candle is carried during the 1950 Easter Vigil, but the rubrics undeniably demand this during the procession to the baptistery (while the Sicut cervus is being sung). Moreover, Father Carusi’s emphatic attack on the ‘split’ litany is patently false, and this is known to anyone who’s examined medieval manuscripts. Such egregious blunders are embarrassing, with the result that Father Carusi hurts the very movement he wishes to promote.

(4 of 4) Conclusions • I ardently love the old Holy Week, and it’s undeniable some changes by the Commissio Piana were ill-considered, grotesque, and indefensible. Nevertheless, it hurts me when people ‘defend’ the 1950 version without even bothering to learn how it differs from the 1962 version.

When it comes to why I get so ‘wound up’ and passionate about this subject…I’m afraid I don’t have an answer for that.

1 I won’t discuss here whether permission is currently needed to celebrate the 1950 Holy Week. I have received information from (perhaps) the highest authority on this matter, but lack permission to share his words publicly. Suffice it to say, a “diversity of opinion” exists regarding whether permission is still needed. At the end of the day, such a discussion is only appropriate for priests, not laymen. Tragically, certain Catholic ‘influencers’ who pontificate on this matter are way out of their depths.
For the record, it would be difficult to argue (in these post-conciliar days) that certain minor elements of the 1950 Hebdomada Major require explicit permission. Even if one feels they do, a sensible bishop would surely grant permission to wear folded chasubles once he was informed of their great antiquity. Along these same lines, I’m always baffled to see certain “1962 folks” argue passionately over rubrical minutiae (citing Martinucci, Stercky, Fortescue, O’Connell, Wapelhorst, etc.) yet totally ignore official legislation vis-à-vis the rhythm of Gregorian Chant. I’ll go to my grave not understanding why those who passionately insist on the ‘correct’ rubrics exclaim in the same breath: “Oh, who cares about the legislation of Pius X and Pius XII on Gregorian Chant?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Christus Vincit, Commissio Piana, Easter Vigil on Saturday Morning, Father Innocent Liturgical Wapelhorst, Father Louis Stercky Liturgical Rubrics, Feria V Hebdomadæ sanctæ, Hebdomada Major, Holy Thursday Maundy Thursday, Monsignor Pio Martinucci, Pre-1954 Holy Week, Pre-1955 Holy Week Last Updated: December 16, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

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  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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