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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Incredible Message of Hope from Michael Olbash

Richard J. Clark · October 2, 2025

N A CYNICAL and desperate world, Maestro Michael Olbash brings a desperately needed message of extraordinary hope. Recently appointed as Director of Sacred Music at Donahue Academy at Ave Maria Parish in Ave Maria, Florida, he left his beloved home of Massachusetts and moved to Florida with his family. Having held positions at two seminaries—Saint John’s Seminary and Pope Saint John XXIII National Seminary in Boston, Massachusetts—Olbash has enjoyed a distinguished career as conductor, educator, and liturgist. But his true love is for the mission of evangelization through sacred music. Olbash asserts, “There are ways that we can discern what is beautiful in music and what points us to the Truth. What points us to the ultimate Truth which is Our Lord Jesus Christ.”

Truly Catholic Venture • Donahue Academy is an unapologetically Roman Catholic School in the Diocese of Venice, Florida. With a classical education curriculum, it aims not only to educate, but more importantly to be “raising saints for the new millennium.” Mark Haas, Music Director of Ave Maria Parish states: “It’s really been a very healthy experience to have him involved in both places…He’s just brought a level of excellence we’re lucky to have.”

Profoundly, Olbash states:

“I think Ave Maria is a place where students are growing for greatness. Because of the community that folks have built here, students that come to Donahue Academy, I’m convinced many of them will go on to be great parish priests, bishops, great theologians, great political leaders who are going to usher this country into a place of greatness that is going to be faith-centered.”

Wow! What a beautiful world this would be!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 2, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 26th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 28 September 2025, which is the 26th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a gorgeous melody and extremely powerful text.
    —Jeff Ostrowski
    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • Communion (26th Sn. Ord.)
    This coming Sunday, 28 September 2025, is the 26th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON with Fauxbourdon verses in honor of William Couture sparkles with beauty. It comes Psalm 118 (the lengthiest psalm) which is an “alphabetical acrostic.” That means each verse begins with the successive letter of the Hebrew alphabet.
    —Jeff Ostrowski

Quick Thoughts

    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski
    PDF Download • “Side-By-Side Comparison”
    Pope Urban VIII modified almost all the Church’s ancient hymns in 1632AD. The team responsible for creating the Brébeuf Catholic Hymnal spent years comparing the different versions of each hymn: “Urbanite” vs. “pre-Urbanite.” When it comes to the special hymn for the upcoming feast (9 November)—URBS BEATA JERUSALEM—Dr. Adrian Fortescue pointed out that “the people who changed it in the 17th century did not even keep its metre; so the later version cannot be sung to the old, exceedingly beautiful tune.” Monsignor Hugh Thomas Henry (d. 1946), a professor of Gregorian Chant at Saint Charles Borromeo Seminary (Overbrook, Philadelphia), wrote: “Of this hymn in particular some think that, whereas it did not suffer as much as some others, yet it lost much of its beauty in the revision; others declare that it was admirably transformed without unduly modifying the sense.” You can use this side-by-side comparison chart to compare both versions. When it comes to its meaning, there’s little significant difference between the two versions: e.g. “name of Christ” vs. “love of Christ.”
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

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