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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop François Charrière Vs. Hannibal Bugnini

Jeff Ostrowski · July 5, 2025

OR ABOUT FIFTEEN years, I have been reading (each day) about the reform of the sacred liturgy undertaken during the 1960s. It goes without saying that we will never know everything that took place. Nonetheless, a decent amount of documentation has emerged over the last twenty years revealing shameful tactics used by Hannibal Bugnini, whom Father Louis Bouyer labeled a “mealy-mouthed scoundrel.” Hannibal Bugnini not only pretended to speak for the pope; he also pretended to speak for the entire Church. For instance, Bugnini’s CONSILIUM on 2 September 1964—pushing for radical changes far exceeding what Vatican II mandated—wrote to the pope as follows:

“we see no reason to
further postpone the reform
awaited and desired by all.”

Sycophants • Piero Marini (Bugnini’s secretary and devotee) published a book in 2007 which fawns over every decision Bugnini’s CONSILIUM made. Some of Marini’s statements are so sycophantic that he comes across as a lunatic. For instance, he claims—without evidence—that the Curia’s operating principle was “fear.” But when it comes to Bugnini’s CONSILIUM, Marini writes: “Not fear, but scholarly rigor and pastoral concern for the faithful’s active participation” constituted their operating principle. Fernando Cardinal Antonelli (who began the liturgical reforms with a secret document called Memoria sulla Riforma Liturgica) wrote a message to the pope saying that those who resist the liturgical reforms do so out of “indolence or lack of liturgical sensibility.” In other words, affection for the ancient Catholic liturgical tradition—according to Antonelli—means you’re either lazy or stupid.

Yet, consider the following message Bishop François Charrière sent to the Vatican in 1957:

We acknowledge that […] more or less substantial changes are being requested from Rome. But those who are pleased with today’s situation, those who live the Liturgy as given by the Roman Church, are not complaining, and do not say anything. Don’t we also have to consider the majority who are content? Isn’t their number as great, maybe greater, than the number of those who complain? We are being told of a desire, which then tends to become widespread, for a substantial modification of the Liturgy. What is really universal is the desire to see the faithful always participating in the Mass to a greater extent and to see the priests always living from their liturgical prayer. But as for how this better participation of the faithful and priests can be achieved, we do not believe that those who speak the more loudly, those who somehow impatiently keep asking for endless changes, do represent the majority.
En un mot, sur ce point comme les autres, nous nous rendons bien compte que, de divers côtés, on demande à Rome des changements plus ou moins substantiels. Mais ceux qui sont contents de la situation actuelle, ceux qui vivent vraiment la liturgie, telle que l’Eglise romaine nous l’a donnée, ne reclamant pas, ne disent rien. Ne faut-il pas tenir compte aussi, et largement, de ceux qui sont contents? Leur nombre n’est il pas aussi considérable, plus considérable peut-être que celui de ceux qui réclamant? On nous parle de désir qui tend à devenir universel en vue d’une modification massive de la liturgie. Ce qui est universel, c’est bien le désir de voir les fidèles participer d’une manière toujours plus active à la Messe, de voir les prêtres vivre toujours mieux leur prière liturgique. Mais quant à la manière de réaliser cette participation plus active des prêtres et des fidèles, nous ne croyons pas que ceux qui parlent le plus fort et le plus haut, ceux qui s’empressent avec quelque impatience parfois de solliciter sans cesse des changements, représentent réellement la major pars.
[Emphases in the original.]

If only more had been willing to heed the wisdom of Bishop Charrière!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: July 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

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