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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop François Charrière Vs. Hannibal Bugnini

Jeff Ostrowski · July 5, 2025

OR ABOUT FIFTEEN years, I have been reading (each day) about the reform of the sacred liturgy undertaken during the 1960s. It goes without saying that we will never know everything that took place. Nonetheless, a decent amount of documentation has emerged over the last twenty years revealing shameful tactics used by Hannibal Bugnini, whom Father Louis Bouyer labeled a “mealy-mouthed scoundrel.” Hannibal Bugnini not only pretended to speak for the pope; he also pretended to speak for the entire Church. For instance, Bugnini’s CONSILIUM on 2 September 1964—pushing for radical changes far exceeding what Vatican II mandated—wrote to the pope as follows:

“we see no reason to
further postpone the reform
awaited and desired by all.”

Sycophants • Piero Marini (Bugnini’s secretary and devotee) published a book in 2007 which fawns over every decision Bugnini’s CONSILIUM made. Some of Marini’s statements are so sycophantic that he comes across as a lunatic. For instance, he claims—without evidence—that the Curia’s operating principle was “fear.” But when it comes to Bugnini’s CONSILIUM, Marini writes: “Not fear, but scholarly rigor and pastoral concern for the faithful’s active participation” constituted their operating principle. Fernando Cardinal Antonelli (who began the liturgical reforms with a secret document called Memoria sulla Riforma Liturgica) wrote a message to the pope saying that those who resist the liturgical reforms do so out of “indolence or lack of liturgical sensibility.” In other words, affection for the ancient Catholic liturgical tradition—according to Antonelli—means you’re either lazy or stupid.

Yet, consider the following message Bishop François Charrière sent to the Vatican in 1957:

We acknowledge that […] more or less substantial changes are being requested from Rome. But those who are pleased with today’s situation, those who live the Liturgy as given by the Roman Church, are not complaining, and do not say anything. Don’t we also have to consider the majority who are content? Isn’t their number as great, maybe greater, than the number of those who complain? We are being told of a desire, which then tends to become widespread, for a substantial modification of the Liturgy. What is really universal is the desire to see the faithful always participating in the Mass to a greater extent and to see the priests always living from their liturgical prayer. But as for how this better participation of the faithful and priests can be achieved, we do not believe that those who speak the more loudly, those who somehow impatiently keep asking for endless changes, do represent the majority.
En un mot, sur ce point comme les autres, nous nous rendons bien compte que, de divers côtés, on demande à Rome des changements plus ou moins substantiels. Mais ceux qui sont contents de la situation actuelle, ceux qui vivent vraiment la liturgie, telle que l’Eglise romaine nous l’a donnée, ne reclamant pas, ne disent rien. Ne faut-il pas tenir compte aussi, et largement, de ceux qui sont contents? Leur nombre n’est il pas aussi considérable, plus considérable peut-être que celui de ceux qui réclamant? On nous parle de désir qui tend à devenir universel en vue d’une modification massive de la liturgie. Ce qui est universel, c’est bien le désir de voir les fidèles participer d’une manière toujours plus active à la Messe, de voir les prêtres vivre toujours mieux leur prière liturgique. Mais quant à la manière de réaliser cette participation plus active des prêtres et des fidèles, nous ne croyons pas que ceux qui parlent le plus fort et le plus haut, ceux qui s’empressent avec quelque impatience parfois de solliciter sans cesse des changements, représentent réellement la major pars.
[Emphases in the original.]

If only more had been willing to heed the wisdom of Bishop Charrière!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: July 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

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