• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Bishop François Charrière Vs. Hannibal Bugnini

Jeff Ostrowski · July 5, 2025

OR ABOUT FIFTEEN years, I have been reading (each day) about the reform of the sacred liturgy undertaken during the 1960s. It goes without saying that we will never know everything that took place. Nonetheless, a decent amount of documentation has emerged over the last twenty years revealing shameful tactics used by Hannibal Bugnini, whom Father Louis Bouyer labeled a “mealy-mouthed scoundrel.” Hannibal Bugnini not only pretended to speak for the pope; he also pretended to speak for the entire Church. For instance, Bugnini’s CONSILIUM on 2 September 1964—pushing for radical changes far exceeding what Vatican II mandated—wrote to the pope as follows:

“we see no reason to
further postpone the reform
awaited and desired by all.”

Sycophants • Piero Marini (Bugnini’s secretary and devotee) published a book in 2007 which fawns over every decision Bugnini’s CONSILIUM made. Some of Marini’s statements are so sycophantic that he comes across as a lunatic. For instance, he claims—without evidence—that the Curia’s operating principle was “fear.” But when it comes to Bugnini’s CONSILIUM, Marini writes: “Not fear, but scholarly rigor and pastoral concern for the faithful’s active participation” constituted their operating principle. Fernando Cardinal Antonelli (who began the liturgical reforms with a secret document called Memoria sulla Riforma Liturgica) wrote a message to the pope saying that those who resist the liturgical reforms do so out of “indolence or lack of liturgical sensibility.” In other words, affection for the ancient Catholic liturgical tradition—according to Antonelli—means you’re either lazy or stupid.

Yet, consider the following message Bishop François Charrière sent to the Vatican in 1957:

We acknowledge that […] more or less substantial changes are being requested from Rome. But those who are pleased with today’s situation, those who live the Liturgy as given by the Roman Church, are not complaining, and do not say anything. Don’t we also have to consider the majority who are content? Isn’t their number as great, maybe greater, than the number of those who complain? We are being told of a desire, which then tends to become widespread, for a substantial modification of the Liturgy. What is really universal is the desire to see the faithful always participating in the Mass to a greater extent and to see the priests always living from their liturgical prayer. But as for how this better participation of the faithful and priests can be achieved, we do not believe that those who speak the more loudly, those who somehow impatiently keep asking for endless changes, do represent the majority.
En un mot, sur ce point comme les autres, nous nous rendons bien compte que, de divers côtés, on demande à Rome des changements plus ou moins substantiels. Mais ceux qui sont contents de la situation actuelle, ceux qui vivent vraiment la liturgie, telle que l’Eglise romaine nous l’a donnée, ne reclamant pas, ne disent rien. Ne faut-il pas tenir compte aussi, et largement, de ceux qui sont contents? Leur nombre n’est il pas aussi considérable, plus considérable peut-être que celui de ceux qui réclamant? On nous parle de désir qui tend à devenir universel en vue d’une modification massive de la liturgie. Ce qui est universel, c’est bien le désir de voir les fidèles participer d’une manière toujours plus active à la Messe, de voir les prêtres vivre toujours mieux leur prière liturgique. Mais quant à la manière de réaliser cette participation plus active des prêtres et des fidèles, nous ne croyons pas que ceux qui parlent le plus fort et le plus haut, ceux qui s’empressent avec quelque impatience parfois de solliciter sans cesse des changements, représentent réellement la major pars.
[Emphases in the original.]

If only more had been willing to heed the wisdom of Bishop Charrière!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: July 6, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

Recent Posts

  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.