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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop François Charrière Vs. Hannibal Bugnini

Jeff Ostrowski · July 5, 2025

OR ABOUT FIFTEEN years, I have been reading (each day) about the reform of the sacred liturgy undertaken during the 1960s. It goes without saying that we will never know everything that took place. Nonetheless, a decent amount of documentation has emerged over the last twenty years revealing shameful tactics used by Hannibal Bugnini, whom Father Louis Bouyer labeled a “mealy-mouthed scoundrel.” Hannibal Bugnini not only pretended to speak for the pope; he also pretended to speak for the entire Church. For instance, Bugnini’s CONSILIUM on 2 September 1964—pushing for radical changes far exceeding what Vatican II mandated—wrote to the pope as follows:

“we see no reason to
further postpone the reform
awaited and desired by all.”

Sycophants • Piero Marini (Bugnini’s secretary and devotee) published a book in 2007 which fawns over every decision Bugnini’s CONSILIUM made. Some of Marini’s statements are so sycophantic that he comes across as a lunatic. For instance, he claims—without evidence—that the Curia’s operating principle was “fear.” But when it comes to Bugnini’s CONSILIUM, Marini writes: “Not fear, but scholarly rigor and pastoral concern for the faithful’s active participation” constituted their operating principle. Fernando Cardinal Antonelli (who began the liturgical reforms with a secret document called Memoria sulla Riforma Liturgica) wrote a message to the pope saying that those who resist the liturgical reforms do so out of “indolence or lack of liturgical sensibility.” In other words, affection for the ancient Catholic liturgical tradition—according to Antonelli—means you’re either lazy or stupid.

Yet, consider the following message Bishop François Charrière sent to the Vatican in 1957:

We acknowledge that […] more or less substantial changes are being requested from Rome. But those who are pleased with today’s situation, those who live the Liturgy as given by the Roman Church, are not complaining, and do not say anything. Don’t we also have to consider the majority who are content? Isn’t their number as great, maybe greater, than the number of those who complain? We are being told of a desire, which then tends to become widespread, for a substantial modification of the Liturgy. What is really universal is the desire to see the faithful always participating in the Mass to a greater extent and to see the priests always living from their liturgical prayer. But as for how this better participation of the faithful and priests can be achieved, we do not believe that those who speak the more loudly, those who somehow impatiently keep asking for endless changes, do represent the majority.
En un mot, sur ce point comme les autres, nous nous rendons bien compte que, de divers côtés, on demande à Rome des changements plus ou moins substantiels. Mais ceux qui sont contents de la situation actuelle, ceux qui vivent vraiment la liturgie, telle que l’Eglise romaine nous l’a donnée, ne reclamant pas, ne disent rien. Ne faut-il pas tenir compte aussi, et largement, de ceux qui sont contents? Leur nombre n’est il pas aussi considérable, plus considérable peut-être que celui de ceux qui réclamant? On nous parle de désir qui tend à devenir universel en vue d’une modification massive de la liturgie. Ce qui est universel, c’est bien le désir de voir les fidèles participer d’une manière toujours plus active à la Messe, de voir les prêtres vivre toujours mieux leur prière liturgique. Mais quant à la manière de réaliser cette participation plus active des prêtres et des fidèles, nous ne croyons pas que ceux qui parlent le plus fort et le plus haut, ceux qui s’empressent avec quelque impatience parfois de solliciter sans cesse des changements, représentent réellement la major pars.
[Emphases in the original.]

If only more had been willing to heed the wisdom of Bishop Charrière!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Memoria Sulla Riforma Liturgica, Memoria Sulla Riforma Liturgica ANTONELLI Last Updated: July 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Now with the elimination of Latin, the choirs that performed the treasures of sacred music are dying. Someone remarked that the study of sacred music is the history of its disappearance. In place of the authentic music demanded by the Vatican Council, all kinds of secular forms and inferior dance and combo music are heard.”

— Monsignor Richard J. Schuler (1971)

Recent Posts

  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”
  • “Music List” • 21st in Ordinary Time (Year C)

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