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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Our Trials” • Choirmaster Crosses

Jeff Ostrowski · April 14, 2025

ROM ONE PERSPECTIVE, it’s amazing that Catholics living in our times complain about anything. Very few kings throughout history could have dreamt of the luxury we possess: the comforts, the conveniences, the gadgets. We have modern medicine; penicillin and anesthesia; electricity; modern plumbing; telephones; airplanes; air-conditioning; computers with internet access; and so on. Most of us have never gone hungry—not even for a single day.

Mental Trauma • On the other hand, the conscientious choirmaster will experience certain “tribulations” or “trials” or “burdens” that can only be understood by other choir directors. A large percentage of these afflictions are mental (though some are physical). There’s no need to enumerate them; anyone who’s worked as a choir director will know what I’m talking about. But today I would like to briefly point out three types:

(a) abuse and disrespect—often from one’s employer;
(b) defamation and calumny—often from jealous colleagues;
(c) betrayal—often from someone we’ve shown kindness to.

Alcoholic • Monsignor Robert Skeris once told me that because it’s such a challenging vocation many church musicians end up addicted to alcohol. (I don’t drink, so that option isn’t available to me.) How can the stinging pain from our vocation be alleviated? How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Friendship • In my opinion, the conscientious choirmaster must have friends who are colleagues. Talking with friends—“pouring one’s heart out”—can help alleviate the trauma. An added “bonus” of conferences such as the symposium often turns out to be friendships made while in attendance.

Corrinne May • I am blessed to have wonderful friends who are also colleagues. One of them is Corrinne May, who’s agreed to serve on the faculty of this year’s Sacred Music Symposium. She recently posted this clip on her instagram account:

Great Sounding Choir • Can you imagine having that gorgeous choral sound? And yet, Corrinne recruited all those members in a very short time! Even though Corrinne lives all the way on the other side of the ocean in Singapore, I felt “connected” when I saw that clip because we sang that same hymn yesterday, during one of our PALM SUNDAY MASSES. This particular Mass was packed—there literally wasn’t one seat left in the entire church:

To access this hymn’s media in the Brébeuf Portal, click here.

Mental Battles • Many of the battles we face are internal (i.e. mental). There are too many possibilities to mention, and some are quite “subtle.” For instance, an artist will be asked to create something—but then, the person who asked for the favor will keep nitpicking and nitpicking and nitpicking. This is very hurtful to an artist, but people who lack maturity won’t realize it. My own battles usually involve trying to follow God’s Will on a daily basis. For instance, I’ve often commented that people who claim to “hate” the 1962 Holy Week and “love” the 1950 Holy Week frequently don’t know the difference between them. Certain Catholic ‘influencers’ (who claim to be experts on the sacred liturgy) frequently publish grotesquely inaccurate articles. Indeed, this morning I was alerted to such an article, riddled with basic errors and misunderstandings. For reasons I don’t fully understand, observing falsehoods about the sacred liturgy causes me anguish.

I admit that I was tempted to publish an article refuting the errors. But doing so would have been sinful—because what good could result? All the information has been out there for years. Indeed, the SAINT EDMUND CAMPION MISSAL published by Sophia Institute Press enumerates the differences and similarities between both versions of Holy Week. Those who genuinely wish to learn can simply pick up a copy. Again I ask: What possible good could result from my publishing a refutation? That’s not how God wants me to spend my time and energy. When we die, we will be held accountable for how we spent every moment of our life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Robert Alexander Skeris Last Updated: April 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

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  • Funeral Music “Template” • For Families

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