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Views from the Choir Loft

“Our Trials” • Choirmaster Crosses

Jeff Ostrowski · April 14, 2025

ROM ONE PERSPECTIVE, it’s amazing that Catholics living in our times complain about anything. Very few kings throughout history could have dreamt of the luxury we possess: the comforts, the conveniences, the gadgets. We have modern medicine; penicillin and anesthesia; electricity; modern plumbing; telephones; airplanes; air-conditioning; computers with internet access; and so on. Most of us have never gone hungry—not even for a single day.

Mental Trauma • On the other hand, the conscientious choirmaster will experience certain “tribulations” or “trials” or “burdens” that can only be understood by other choir directors. A large percentage of these afflictions are mental (though some are physical). There’s no need to enumerate them; anyone who’s worked as a choir director will know what I’m talking about. But today I would like to briefly point out three types:

(a) abuse and disrespect—often from one’s employer;
(b) defamation and calumny—often from jealous colleagues;
(c) betrayal—often from someone we’ve shown kindness to.

Alcoholic • Monsignor Robert Skeris once told me that because it’s such a challenging vocation many church musicians end up addicted to alcohol. (I don’t drink, so that option isn’t available to me.) How can the stinging pain from our vocation be alleviated? How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Friendship • In my opinion, the conscientious choirmaster must have friends who are colleagues. Talking with friends—“pouring one’s heart out”—can help alleviate the trauma. An added “bonus” of conferences such as the symposium often turns out to be friendships made while in attendance.

Corrinne May • I am blessed to have wonderful friends who are also colleagues. One of them is Corrinne May, who’s agreed to serve on the faculty of this year’s Sacred Music Symposium. She recently posted this clip on her instagram account:

Great Sounding Choir • Can you imagine having that gorgeous choral sound? And yet, Corrinne recruited all those members in a very short time! Even though Corrinne lives all the way on the other side of the ocean in Singapore, I felt “connected” when I saw that clip because we sang that same hymn yesterday, during one of our PALM SUNDAY MASSES. This particular Mass was packed—there literally wasn’t one seat left in the entire church:

To access this hymn’s media in the Brébeuf Portal, click here.

Mental Battles • Many of the battles we face are internal (i.e. mental). There are too many possibilities to mention, and some are quite “subtle.” For instance, an artist will be asked to create something—but then, the person who asked for the favor will keep nitpicking and nitpicking and nitpicking. This is very hurtful to an artist, but people who lack maturity won’t realize it. My own battles usually involve trying to follow God’s Will on a daily basis. For instance, I’ve often commented that people who claim to “hate” the 1962 Holy Week and “love” the 1950 Holy Week frequently don’t know the difference between them. Certain Catholic ‘influencers’ (who claim to be experts on the sacred liturgy) frequently publish grotesquely inaccurate articles. Indeed, this morning I was alerted to such an article, riddled with basic errors and misunderstandings. For reasons I don’t fully understand, observing falsehoods about the sacred liturgy causes me anguish.

I admit that I was tempted to publish an article refuting the errors. But doing so would have been sinful—because what good could result? All the information has been out there for years. Indeed, the SAINT EDMUND CAMPION MISSAL published by Sophia Institute Press enumerates the differences and similarities between both versions of Holy Week. Those who genuinely wish to learn can simply pick up a copy. Again I ask: What possible good could result from my publishing a refutation? That’s not how God wants me to spend my time and energy. When we die, we will be held accountable for how we spent every moment of our life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Robert Alexander Skeris Last Updated: April 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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