• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Our Trials” • Choirmaster Crosses

Jeff Ostrowski · April 14, 2025

ROM ONE PERSPECTIVE, it’s amazing that Catholics living in our times complain about anything. Very few kings throughout history could have dreamt of the luxury we possess: the comforts, the conveniences, the gadgets. We have modern medicine; penicillin and anesthesia; electricity; modern plumbing; telephones; airplanes; air-conditioning; computers with internet access; and so on. Most of us have never gone hungry—not even for a single day.

Mental Trauma • On the other hand, the conscientious choirmaster will experience certain “tribulations” or “trials” or “burdens” that can only be understood by other choir directors. A large percentage of these afflictions are mental (though some are physical). There’s no need to enumerate them; anyone who’s worked as a choir director will know what I’m talking about. But today I would like to briefly point out three types:

(a) abuse and disrespect—often from one’s employer;
(b) defamation and calumny—often from jealous colleagues;
(c) betrayal—often from someone we’ve shown kindness to.

Alcoholic • Monsignor Robert Skeris once told me that because it’s such a challenging vocation many church musicians end up addicted to alcohol. (I don’t drink, so that option isn’t available to me.) How can the stinging pain from our vocation be alleviated? How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Friendship • In my opinion, the conscientious choirmaster must have friends who are colleagues. Talking with friends—“pouring one’s heart out”—can help alleviate the trauma. An added “bonus” of conferences such as the symposium often turns out to be friendships made while in attendance.

Corrinne May • I am blessed to have wonderful friends who are also colleagues. One of them is Corrinne May, who’s agreed to serve on the faculty of this year’s Sacred Music Symposium. She recently posted this clip on her instagram account:

Great Sounding Choir • Can you imagine having that gorgeous choral sound? And yet, Corrinne recruited all those members in a very short time! Even though Corrinne lives all the way on the other side of the ocean in Singapore, I felt “connected” when I saw that clip because we sang that same hymn yesterday, during one of our PALM SUNDAY MASSES. This particular Mass was packed—there literally wasn’t one seat left in the entire church:

To access this hymn’s media in the Brébeuf Portal, click here.

Mental Battles • Many of the battles we face are internal (i.e. mental). There are too many possibilities to mention, and some are quite “subtle.” For instance, an artist will be asked to create something—but then, the person who asked for the favor will keep nitpicking and nitpicking and nitpicking. This is very hurtful to an artist, but people who lack maturity won’t realize it. My own battles usually involve trying to follow God’s Will on a daily basis. For instance, I’ve often commented that people who claim to “hate” the 1962 Holy Week and “love” the 1950 Holy Week frequently don’t know the difference between them. Certain Catholic ‘influencers’ (who claim to be experts on the sacred liturgy) frequently publish grotesquely inaccurate articles. Indeed, this morning I was alerted to such an article, riddled with basic errors and misunderstandings. For reasons I don’t fully understand, observing falsehoods about the sacred liturgy causes me anguish.

I admit that I was tempted to publish an article refuting the errors. But doing so would have been sinful—because what good could result? All the information has been out there for years. Indeed, the SAINT EDMUND CAMPION MISSAL published by Sophia Institute Press enumerates the differences and similarities between both versions of Holy Week. Those who genuinely wish to learn can simply pick up a copy. Again I ask: What possible good could result from my publishing a refutation? That’s not how God wants me to spend my time and energy. When we die, we will be held accountable for how we spent every moment of our life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Robert Alexander Skeris Last Updated: April 14, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • “Alma Redemptóris Mater” • Everything There Is To Know About This Marian Antiphon
  • Simplified Accompaniment (Advent Hymn)
  • Pope Leo XIV on Sacred Music
  • (5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music
  • PDF • “Music List” (Immaculate Concep.)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.