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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The New Lectionary & “Voice of God” Hymns

Jeff Ostrowski · February 10, 2025

OR ALMOST TWO decades, we’ve been assured a new LECTIONARY for the United States is “forthcoming.” According to highly placed officials at the USCCB, it could be here as early as 2029. On the other hand, those in charge of liturgical matters do whatever they please at any given moment—and they answer to no one. Even a basic question like which feasts in the United States are holy days of obligation has been ensnared in an absurd quarrel between several Vatican dicasteries. When it comes to what Monsignor Skeris called “the USCCB Liturgy Club,” it’s crucial to remember that promises—even legal threats—made in the past mean absolutely nothing (as I recently attempted to explain). As an American politician once said: “That was then; this is now.” It’s a scandalous situation … but what can any of us do? Perhaps it’s best to simply accept it.

Specificity! Specificity! • When Hitler was gaining power in Germany, he promised something “new.” He promised “a departure from the past.” Hitler did deliver something new—but was it better? Foolish people assume “new” is synonymous with “better.” As I’ve explained with examples provided, in many instances the so-called ABBEY PSALMS AND CANTICLES is virtually identical to previous versions, including the NAB. I ask again: Why specifically are they revising the LECTIONARY? What are some specific items they plan to fix?

Sad + Scandalous • Certain passages in our current LECTIONARY without question need to be revised. Look at the GOSPEL for the 22nd Sunday in Ordinary Time (Year A) and you’ll see it was bowdlerized in a shameful and scandalous way by people who don’t believe human beings have a “soul.” Are these same folks the ones who will be “fixing” the LECTIONARY? Why haven’t we seen a list with specific examples that need to be fixed? I have my doubts…

“Voice Of God” Hymns • As I recently explained, it makes sense to try to “even out” translations so they can be sung. Yet seven decades after Vatican II this still hasn’t been done in the United States—so forgive my skepticism. A good example comes from yesterday, where the ALLELUIA VERSE “broke the tone” because it was jagged:

Come after me
and I will make you fishers of men.

That could easily be fixed (as it was in the Spanish LECTIONARY):

Come after me, says the Lord,
and I will make you fishers of men.

Indeed, the traditional Gregorian Chant often has “dicit Dóminus.” This helps to eliminate something many hate: viz. “Voice of God Hymns.”

Inconsistencies • Speaking of yesterday’s Mass, the Responsorial Psalm says “In the sight of the angels I will sing your praises, Lord.” Then (just a few seconds later) we hear: “In the presence of the angels I will sing your praise.” Part of the problem is that various companies own different sections of the LECTIONARY.1 Another problem is the constant and unending search for the most ‘authentic’ psalm manuscript, which becomes obsessed with each new trend.

On the other hand, such inconsistencies have always been part of the sacred liturgy (even in the Traditional Latin Mass). Just one example: “Cum Clamarem” vs. “Dum Clamarem” for the 10th Sunday after Pentecost. As Father Adrian Fortescue wrote in 1912:

The text of the Introit, as of all the chants of the Mass, is taken not from the Vulgate but from the old Itala. It will be remembered that the fact that people were accustomed to sing the Itala text at Mass was the great hindrance to the spread of the Vulgate.

At this point, the USCCB has approved so many “variant” versions of the Responsorial Psalm—which will remain as valid options so long as they are sung—only a fool would believe that this toothpaste can be placed back in the tube.

1 By the way, the sale of (mandatory) indulgenced prayers is immoral. Someday they will have to make restitution for this—which will amount to billions and billions of dollars.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbey Psalms and Canticles, New Lectionary Edition USA, Novus Ordo Lectionary, Novus Ordo Lectionary Reform, Online Latin Lectionary, Rev Fr Adrian Fortescue Liturgy, Voice of God Hymns Last Updated: February 10, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

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